-
Tripods/light stands
-
Multiple speedlights
-
Speedlight softbox
-
Radio triggers
-
White board
-
Zoom lens
Difficulty level: Advanced Time taken: 2 hours
While having a photo studio can be a great benefit to a business, not every photographer chooses to invest in one. Many prefer to work remotely when they do not require studio lights often enough to justify the cost of renting a space. Even professionals who do have a fixed-base studio will occasionally have to work without the freedom that such a space can offer.
For both commercial and individual clients, you may find yourself shooting in their office or even their own home, environments that are far from ideal with regards to ambient lighting and the available space to work. Low ceilings, cramped conditions, and no large expanses of the seamless wall make capturing a portrait that looks like it was shot in a dedicated studio incredibly challenging. This is especially true when shooting more than a headshot – a shoulder or full-length portrait.
One solution is to learn how to balance the light from off-camera flashes for the close quarters of a small room and to identify potential sources of colour contamination. These can then be excluded from the immediate environment of the subject.
Let’s take a look at how to create a moody portrait image using only two or three remote speedlights, small-scale light modifiers and a restricted textured background.
Shooting steps
Bu hikaye Digital Photographer dergisinin Issue 251 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Digital Photographer dergisinin Issue 251 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Apply a stylised detail enhancement
Give your photos a movie aesthetic with the bleach bypass effect in Photoshop
Sony FE 16-25mm f/2.8 G
Matthew Richards investigates this lightweight wide-angle zoom lens with a unique focal range
Nikon Z 28-400mm f/4-8 VR
This lens offers everything from wide-angle to super-telephoto reach, says Matthew Richards
Novo Helix T50 Carbon Fibre Tripod
Adam Waring discovers an unfeasibly small yet feature-packed travel tripod
OM System OM-1 Mark II
James Artaius finds the OM-1 Mark II has features that you wish your camera did
How do I get into events photography?
Jules Renahan, owner of Jules Renahan Photography and co-founder of PhotoHound, tells us what to expect when photographing events
Career advice
This issue, Claire Gillo looks at the logistics behind running a photography business and talks to an events photographer
My dream photo kit
With help from used camera gear specialists MPB, we've created an expert photographer's fantasy camera kitbag
Create wet plate portraits
Recreate the collodion process for enhanced detail
Fine-tune colour and saturation
Use Lightroom's extensive controls to enhance individual colours in your shots