The recently introduced Color Grading panel is available in Photoshop’s Camera Raw plugin and Lightroom, and it’s one of the most powerful toning tools on offer. Several of the other colour tools in Camera Raw are geared towards correcting unwanted colour shifts, but Color Grading is different. Rather than correcting, it instead invites you to add colour shifts of your own in order to give an image a certain look or mood. As such, Color Grading is one of the best tools for boosting the atmosphere of a scene.
Color Grading is a replacement for the old Split Toning panel and, like its predecessor, it lets you add individual colour tints to different parts of the tonal range of your image based on brightness values. But while the Split Toning panel only allowed for two colour tints, with Color Grading we instead choose three. So as well as tinting shadows and highlights, we can also shift colours in the midtones (of course, if you’d rather use two colours then you can just leave the midtones untouched). Alongside the three intuitive colour wheels in the Color Grading panel, you’ll also find a Global wheel that makes it easy to add a single colour shift. What’s more, if we delve into each individual colour wheel, we’ll find further options for tweaking the colours and shifting the balance between them.
Bu hikaye N-Photo: the Nikon magazine dergisinin October 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye N-Photo: the Nikon magazine dergisinin October 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body