David Clapp heads off to the picturesque wilderness on the Isle of Eigg to go off-grid in search of stunning scenery to shoot
I turn the pages of another book, the rain running down the windows, the start of our second day on the Isle of Eigg. Scotland in the winter is always a risk. Right off the ferry, we greet our ‘taxi,’ taking us to our cottage, a Mitsubishi Shogun piled up in the back with palettes. “This is the second car I've had since I arrived here in 1968,” we're informed. The story unfolds; his last one was a classic Mini Cooper, shipped there with the owner from East London. The Shogun got so rusty that the suspension collapsed and was replaced with a railway sleeper. You would think the last straw would be when the driver’s door fell off eight years ago. That was replaced successfully with a shower curtain, complete with a plastic rail.
“Behold – the city of Cleadale!”
A few houses nestle in the gentle hills, a mile or so from the shore, with views to the beautiful Isle of Rum, calling us onwards to another potential adventure. Tim and I get the fire lit. Not only do the peat cuts and briquettes keep us warm, but they also power the hot water.
Bu hikaye PhotoPlus : The Canon Magazine dergisinin February 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye PhotoPlus : The Canon Magazine dergisinin February 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!
