My conflation of Michael Scott with fire began when I sat in his living room contemplating a large painting of a snowy owl rising phoenix-like from a fire as he cooked dinner for his guests over an open fire in his kiva. Over the years I’ve thought more about that conflation and about his representation of the four elements in his landscape paintings. I thought of them as representations of themselves-earth, air, fire, water as discreet elements in the landscape. Recently I saw his study, Geyser and Sky Fire, and suddenly grasped the depth of his representations of the elements, their interrelationships and their intimations of something other. The geyser became more than a visible explosion of water and steam. The phenomenon is caused by invisible fire deep within the earth. The sky fire is caused by the light from the nuclear fusion of the gases that make up the sun.
The landscape painter Albert Bierstadt (1830-1902) wrote, “The magnificent beauty of the natural world is a manifestation of the mysterious natural laws that will be forever obscured from us.” Scott contem plates the “mysterious natural laws” but also delves into their scientific bases.
Bu hikaye American Art Collector dergisinin March 2023 sayısından alınmıştır.
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Bu hikaye American Art Collector dergisinin March 2023 sayısından alınmıştır.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
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Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
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The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
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New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
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Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
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Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.
