The Common Guild, Glasgow, UK
The sculpture’s upper portion, a nude female, rests on one elbow as she admires the view from her vantage point atop a wooden board balanced firmly on the work’s lower half: an abundantly stocked housekeeping trolley. The Capella Building, where she sits, is a plate-glass office development in the city’s business district. The large, seventh-floor gallery space had remained unoccupied from the building’s completion in 2008 until it was taken over temporarily last year by The Common Guild. Despite her corporate surroundings, however, Wermers’s figure is most definitely not at work.
Bu hikaye Frieze dergisinin Issue 243 - June - August 2024 sayısından alınmıştır.
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Bu hikaye Frieze dergisinin Issue 243 - June - August 2024 sayısından alınmıştır.
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Already a subscriber? Giriş Yap
I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'
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Dean Sameshima
What does it mean to be alone? In Dean Sameshima’s recent body of work – 25 monochrome photographs of queer men in Berlin porn theatres with sumptuous black negative spaces and blinding white cinema screens – ‘alone’ is a complicated term.
Nicole Wermers
Nicole Wermers’s Reclining Female #6 (2024) looks out over Glasgow.
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In recent years, the former German Democratic Republic (DDR) has been the subject of a reappraisal that, while not seeking to redeem the stiflingly authoritarian state, has attempted to present a more nuanced overview of its social and cultural realities.
Pierre Huyghe
A pale tetra fish swims around a vast obsidian tank, while another bobs on its side at the top of the water, perhaps ailing from debilitating swim bladder disease (Circadian Dilemma [El Día del Ojo], 2017).
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