As visitors to Persepolis, capital of the Persian Achaemenid Empire, entered the city, they would approach a stone terrace on which a palatial precinct rose 40 feet above the fertile flatlands at the foot of Kuh-i-Rahmat, the Mountain A of Mercy. Bearing gifts from their homelands-perhaps a metal chalice or a braying donkey-they would ascend 63 limestone steps, pivot on a landing, then climb another 48 steps to an imposing threshold known since antiquity as the Gate of All Nations. Flanking the four-story-tall gate were statues of lamassu, winged bulls with human heads and curly beards.
The great city was founded by the Persian king Darius I around 518 B.C. in present-day Iran and construction continued for nearly 200 years. For the duration of its existence, the ever-expanding metropolis was a royal estate, a bustling construction site, and an urban center that housed as many as 45,000 residents nourished by surrounding orchards and farmlands.
Glazed bricks adorned the entryway’s interior, and two identical trilingual texts, inscribed in Old Persian, Elamite, and Babylonian, read: “I, Xerxes, the great king, king of kings, king of the countries possessing many kinds of people, king of this great earth far and wide, the son of Darius the king, the Achaemenid.” Travelers would have continued through the gate onto the royal terrace, a massive 30-acre platform filled with spacious meeting halls and palaces where reliefs depicted kings receiving attendants and taming fierce creatures. The walls would have glowed from the hues of glazed tiles, murals, and inlaid gold, silver, and precious minerals. Painted with especially vibrant blues, Persepolis was an oasis that stood out from the hazy plains, says archaeologist Alexander Nagel of the Fashion Institute of Technology.
Bu hikaye Archaeology dergisinin July/August 2023 sayısından alınmıştır.
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Bu hikaye Archaeology dergisinin July/August 2023 sayısından alınmıştır.
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