A couple of years before my grandma Bev died, in 2016, I asked her to show me how she made her challah, one specialty in an impressive culinary repertoire. She padded over to a cabinet in her kitchen and retrieved, to my great surprise, not a handwritten recipe but a yellowed clipping from a newspaper. At the time, I felt vaguely robbed of something, but in the years that followed I released my grip on the romance of the family recipe. I didn’t make a copy of the clipping, or take particular note of any of my grandma’s techniques. (Except one: when it came time to proof the dough, she tucked the mixing bowl into her bed and switched on the electric blanket.) What she passed on to me was intangible but arguably more important: a love of cooking and eating and hosting, especially in celebration of Jewish holidays. For everything else, I have Joan Nathan.
Bu hikaye The New Yorker dergisinin April 15, 2024 sayısından alınmıştır.
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Bu hikaye The New Yorker dergisinin April 15, 2024 sayısından alınmıştır.
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HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.