KIM SOO-HYUN in a K-drama exudes enticement-something completely disparate. His expressions transmit a wealth of details about the emotions and mental states of those he portrays, and the rest that remains is more than made up for by his superb screen presence and, of course, his method acting. His passionate, precise interpretations certainly grant him that weight as a performing artist. Kim is, indeed, an elite player-a savant in Korean entertainment who might reveal an entirely diverse facet of any given character; six such are listed below.
Song Sam-dongDream High (2011)
Following Dream High's success as a staggering teen musical drama, Kim sparked multiple nods. Being a country yokel-a musical whiz but battling an uncommon medical condition earned him the KBS Drama Awards' Best New Actor and Popularity Awards. His portrayal of Sam-dong's plight and his underlying pain was most notably impressive. Based on Naver news, Kim trained extensively at JYP Entertainment to hone his vocal and choreographic skills so he might do effectively next to K-pop idol actors such as Bae Suzy and Ok Taec-yeon.
Lee Hwon, King of Joseon - Moon Embracing the Sun (2012)
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Bu hikaye RollingStone India dergisinin September 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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