LATE JANUARY, AND SFX IS AT another vast stately home in England for filming on a gothic production. “Joanna Lumley said ‘Fuck off’ in this room,” Steve Ryde, executive producer of Inside No 9, tells us. Not that she’s appearing in the ninth, and final, series of the iconic British anthology show – that we know of, at least. We’re informed that Arley Hall in
Cheshire, where their penultimate week of filming is taking place, has also recently been used for Netflix’s Fool Me Once, as well as Peaky Blinders. We’re in a library, which is almost floor to ceiling with books. Right in front of us is the famous No 9 hare, sitting opposite a bust of one of the guest actors. “We’ll probably give it to him,” Ryde says of the sculpture. The hare – which makes a hidden appearance in every episode – is one of many copies, we’re told. Fact fans: it has blue felt underneath.
Outside the bay window there are a large number of vans filled with production essentials. Someone is painting a strange wooden shape bright green…
BITTERSWEET SYMPHONY
Adjourning to the dining room, via those pesky creaking floorboards that plague almost every period production, crew are stoking the fireplace as Steve Pemberton gets direction. Lillian the maid (Hayley Squires) is taking position. Reece Shearsmith appears to be holding an aged piece of paper. The crew bring in plates of leftover food. Pemberton takes his seat, his collar is dishevelled.
Bu hikaye SFX UK dergisinin May 2024 sayısından alınmıştır.
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Bu hikaye SFX UK dergisinin May 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS