Watches are a bit like people in the sense that it's okay to not like how everyone looks. Tastes, after all, are subjective. But in the horological world, there are traditional and stubbornly held ideas of what constitutes beauty. Really, it's more of an instinct to hew to the known. Stray too far and into the territory of unfamiliar shapes, details and forms and you verge closer upon 'ugliness'.
Which is why it matters that there exists a cadre of modern haute horology brands that throw down the gauntlet when it comes to aesthetic choices. Instead of dancing around making more of the same, these brands are resolute in pursuing newness in their own way conviction as a quality all its own.
Consider a brand like Richard Mille. Despite how busy and complex its watches often look, this is a watchmaker that roots itself in the tradition of Swiss high watchmaking. That's more to do with intangible qualities like dedication and obsessiveness. Where Richard Mille departs, and where these qualities are enacted differently, is in its ambition, per its slogan, to create racing machines on the wrist. Not a car or a watch, mind you, but a racing machine.
It's a semantic difference, but it tells of how Richard Mille conceives its timepieces as an analogue to the pinnacle engineering of, say, Formula 1. It's about an impetus for cuttingedge technology, materials and techniques. A stellar example is the RM 65-01, which is the most complex automatic watch in the brand's history.
Bu hikaye Vogue Singapore dergisinin September 2024 Issue sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Vogue Singapore dergisinin September 2024 Issue sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Mythic ROMANCE
Dior's Cruise 2025 collection transports us to the enchanting landscapes of Scotland, blending romantic narratives with modern allure.
AN ASYLUM
Co-founders Jaren Neo and Becky Ng speak to Vogue Singapore on the driving force behind their label, its in-house residency programme and their hopes for a more supportive creative ecosystem.
Metropolis of IMAGINATION
Moncler debuts The City of Genius in Shanghai, a bold celebration of creativity featuring an eclectic line-up of visionary co-creators.
STANDING Tall
The Louis Vuitton Cruise 2025 collection was an exploration of postmodern architecture and the future through sharp tailoring, romantic draping and ornamental detailing.
WATERWORKS
In an era of power showers, cold plunges and #Shower Tok, there's still merit to be found in slowing down for the age-old ritual of bathing.
Genetic MAKE-UP
Digital filters, but with real-life consequences. Vogue Singapore considers the implications behind a new generation of parents choosing to edit pictures of their children.
First CLASS
Education is the most powerful weapon, a noble pursuit that these three watches and jewellery brands have embarked on with different approaches.
A New FRONTIER
The nearly two-century-old watchmaker Jaeger-LeCoultre has crafted its first olfactive identity courtesy of perfumer Nicolas Bonneville.
House PROUD
Two symbolic homes come together in Louis Vuitton's latest haute horlogerie creation: a pocket watch that honours its historic trunk manufacture in Asnières and its cutting-edge watchmaking facility in Geneva.
Kindred SPIRITS
After years of living in the shadow of a traumatic family secret, Preeti and Sellam Nair have arrived at a new lease of life where hopes and dreams thrive alongside their mother-daughter bond.