The only negatives approved of in life are the ones created with sciography, and there is nothing that the man does not want to see the beauty in—such is the life of Channa Daswatte, the architect born on the island country of Sri Lanka. Architecture was never a solidified dream for him, it primarily was about design. “Obviously there was an inclination but not really to say that I want to be an architect,” recollects Channa as he ponders over his initial years. The architect remembers going on trips with his parents to the mediaeval capital of Polonnaruwa on the Thiwanka Pilimage in particular, where he’d sit in the mid-day sun, sketching a particular sight or vista. For him, the concern and interest started off with spatial sequences, light and shadow and how one then builds it with whatever materials there are at hand. Picking up on this aptitude and the little inclinations towards architecture, Channa decided to study in an architecture school, “That’s how I ended up being an architect. I went off to the university, and I enjoyed every moment.”
Bu hikaye Elle Decor India dergisinin April - May 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Elle Decor India dergisinin April - May 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
A TIME IN HISTORY GARDEN OF AWADH
Inspired by landmarks like Rumi Darwaza and Imambaras, Good Earth's new store in Lucknow takes you on a visceral journey to the historic scapes of Awadhi architecture
HIDDEN IN PLAIN SIGHT: FOUR HOMES & A CITY
At Hisar, Bindu Manchanda brings the gaze back to heritage with a renewed perspective: shifting the focus from monumental grandeur to the often-overlooked details that shape the fabric of history in everyday life
BOLD, BEAUTIFUL AND A LITTLE BERSERK PRIYANKA THAKKER
The world is her canvas: from the lens of a multidisciplinary artist, who champions a life of individuality — one brushstroke at a time
MODERNIST'S MADRAS
In the evolving heart of Madras, a modern family home by Gowri Adappa reawakens with traditional undercurrents of unique art objects and a serene courtyard that bridges time and generations together
THE GOLDEN PENCIL WRITES A NEW CHAPTER
The Kohler Bold Design Awards kicked off at Liberty Cinema in Mumbai, recognised for its Art Deco architecture. With Creative Partner ELLE DECOR India, winners across 13 categories and the John Michael Kohler Lifetime Achievement Award were celebrated for their prowess
TO VICTORS BELONG THE CROWN
EDIDA India 2024: Meet the winners of the 23rd edition of ELLE DECO International Design Awards India
(UN)SCRIPTING THE YEAR OF #2025
The internet said so. This has likely been a favourite catchphrase of us digital nomads. In an era where our likes and opinions are informed by a fleeting feed of trends and our living dens battle the possibilities of facing repeated design templates, our curious compass led us to 11 creative magnates in India who question the very existence of ‘trends’. Is it even real? Skipping the theory of what’s next and recycling the same-old patterns, they flip the script in favour of unfiltered perspectives and their constant evolution as individuals. The result? 2025 could be the year of anti-trends. A year sans predictions. A year, much unrehearsed.
A NEW VOCABULARY
Nestled within a colonial-era building in Colaba, the new age workspace of SJK Architects brims with a breezy, nouveau architectural charisma
GOLD GILDED AND GLORIOUS
Maximal yet rooted in restraint, Sachin and Neha Gupta craft a world of colours and stories inside a home in New Delhi that illustrates that more isn't always excessive but when done right, can be congenial, warm, welcoming and perfectly balanced
IN CONVERSATION WITH NIPA DOSHI
What do practice and feminism share in common? The Indian-born international EDIDA winner and co-founder of Doshi Levien examines the anatomy of design and its intersections with culture