FOR Vincent van Gogh, autumn was the most beguiling and poetic of seasons. ‘As long as autumn lasts,’ he wrote, ‘I shall not have hands, canvas and colours enough to paint the beautiful things I see.’ Here was the chance to use a myriad of rich tones, to fill skies with the drama of clouds and lay down in paint the sense of change in the air.
Autumn was a subject van Gogh turned to again and again. Avenue of Poplars in Autumn (1884), Autumn Landscape with Four Trees (1885), Autumn Landscape at Dusk (1885), Les Alyscamps (1888) and Falling Autumn Leaves (1888)—the season had a hold on him. And in 1889, between October and December, at the asylum near Saint Rémy where he was recovering from the breakdown heralded by the self-mutilation of his ear, it hadn’t let go. There, he depicted olive trees buffeted by the wind and painted over a fizzing picture of a flowering hillside with an image of a grey and green ravine instead. His colours, still rich, had darkened and the mood, for all the tossing and turning brushstrokes, was sombre. There was a chill in the air. Van Gogh sensed, it seems, that he was painting the autumn of his own life. The following summer, he killed himself.
Bu hikaye Country Life UK dergisinin October 04, 2023 sayısından alınmıştır.
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Bu hikaye Country Life UK dergisinin October 04, 2023 sayısından alınmıştır.
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The original Mr Rochester
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FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
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Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
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All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery