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An amateur researcher follows a hunch, and the rest is history
Time
|March 27 - April 03, 2023 (Double Issue)
RICHARD III AS A FICTIONAL CHARacter has a lot to answer for: Shakespeare painted him as a deformed, power-mad schemer.
But Richard III as a real person? Evidence suggests he was more complicated than that. With his charming, sympathetic picture The Lost King, Stephen Frears digs into the fairly recent rehabilitation of the misunderstood monarch's legacy-as well as the 2012 discovery of his long-lost bones beneath a Leicester parking lot.
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CRISTIANO AMON
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In the early 1990s, young women raised on second-wave feminism but marginalized within the punk scene revolted. Dubbed riot grrrls, bands like Bikini Kill and Bratmobile aimed wrathful lyrics and gallows humor at a culture of misogyny as it manifested in their own lives, from condescending male musicians to abusive fathers. Now, those artists are in their 50s. And while sexism persists, it touches older women in different ways.
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A Korean master dampens the power of a corporate thriller
THERE'S NO BETTER TIME FOR AN ADAPTATION of Donald E. Westlake's unsparing 1997 novel The Ax, which treats downsizing as a form of dehumanization. The bad news is that No Other Choice, the Ax adaptation Korean master Park Chan-wook has long wanted to make, isn't the picture Westlake's cold shiv of a novel deserves. As fine a filmmaker as Park is—his 2003 Oldboy is a chilly, operatic masterpiece—No Other Choice is too dully observed and too slapsticky to hit its mark. It's a missed opportunity dressed up with proficient filmmaking.
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Have AI answer Dr. King's call for economic justice
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