1 Calibrate for correctness
All too often, your printed photos can bear little resemblance to the digital image you see on screen. The prime culprit is your computer monitor, which is likely to need calibration. Even screens that have dedicated sRGB and Adobe RGB modes can lack accuracy, and settings can drift over time, so it's worth investing in a calibration tool like the Datacolor SpyderX Pro or Elite.
2 Paper chemistry
There's quite a chemistry between printer ink and photo paper. These two components are carefully formulated by inkjet printer manufacturers so that they work together to give optimum colour and tonal accuracy, and the best definition without colours running into each other on the page. It's best to stick with the printer maker's own photo papers (or a directly supported alternative) to ensure the best results and resistance to fading.
3₁ Liquid gold
It's often said that printer ink is more expensive per millilitre than the finest champagne or perfume. It's therefore tempting to substitute genuine ink cartridges from the likes of Epson and Canon with cheap alternatives. However, cheap inks may contain impurities that can block print head nozzles and generally result in poor colour accuracy.
4 On the shelf
Communication is mostly digital these days and some of us only use a printer quite rarely. Even so, avoid leaving it on the shelf for too long, as the ink can dry in the print head nozzles and become very difficult to shift. Most inkjet printers run a mini-cleaning cycle at or shortly after switch-on, so it's worth at least turning on your printer for a few minutes each week.
5 Supersize your prints
Bu hikaye Amateur Photographer dergisinin September 13, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Amateur Photographer dergisinin September 13, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.