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Bird photography with a difference
An ever-popular genre, bird imagery is almost as old as photography itself. While traditional approaches will always have their place, Gemma Padley considers the work of photographers who are daring to do things differently
A 3.5m Great White Curiously Approaches My Lens
Custom-made kit and lots of experience went into this image. Matty Smith tells Damien Demolder how he took it without becoming lunch
How low can you go?
In his latest column for AP nature photographer Marsel van Oosten explains the importance of shooting wildlife at low angles
Firmly focused on birds
One of the biggest challenges in wildlife photography is capturing birds. Top pro Ben Hall shares his advice
End of Game By Amos Nachoum
When you are looking for shock-value a big fierce monster eating a small cute animal is hard to beat. It’s the nature of nature though
New light on wildlife
Looking for more-creative ways to light domestic wildlife? Top pro Richard Peters shares his artificial lighting and camera trap techniques with Kingsley Singleton
Wildlife editing masterclass
Whether you shoot in Kenya or Kent, editing wildlife photos requires special care and attention to detail. James Paterson shares some expert advice
Best photo holidays for wildlife
Don't miss these upcoming holidays for wildlife fans, brought to you by AP and Zoom Photo Tours
Add motion to your video
Here's how to inject motion and energy into your movies and banish boring static scenes
Alfalfa, 2020, by Joy Gregory - Final Analysis
Zelda Cheatle considers...
New folding Samsung Galaxy phones
Customers can visit Samsung’s new space to have a hands-on look at its phones
Rotolight and The Creativity Hub extend collaboration
The events provide themed experiences
Taylor Wessing Photographic Portrait Prize 2022 shortlist
An image from Haneem Christian’s work; shortlisted for the prize
More creative phone shots
Top smartphone photographer, teacher and author Jo Bradford shares some tips for images that go beyond the predictable with Geoff Harris
Viewpoint
Geoff Harris has a good old rant about the often-bewildering design of camera menus
Join the Club
This club has a varied events programme and welcomes new members
War stories
Peter Dench gets an insight from some of those whose business is to report on the war in Ukraine
Moving experiences
Intentional Camera Movement (ICM) is much more than a clever technique. Two experts tell Kingsley Singleton why ICM continues to inspire them
Stripped back
A re-issue of Susan Meiselas's classic book, Carnival Strippers, includes unseen material of American dancers.
Laowa 10mm F4.0 Cookie
It's the widest-angle rectilinear pancake lens available, but is this tiny and affordable prime any good?
Sigma 16-28mm F2.8 DG DN Contemporary
Joshua Waller reviews this ultra-wideangle zoom lens for full-frame mirrorless cameras. At £750, it offers great value for money, but does it deliver the goods?
Professor Newman on...Finding the subject
A look at how mirrorless AF systems may be able to overcome a key shortcoming
"The White Man', by Paul Reas, 1983
Final Analysis
Smaller and lighter Samyang 85mm F1.4
Available now, the Samyang AF 85mm F1.4 FE II prime costs £767
Tamron ultra telephoto for Sony E full-framers
TAMRON has announced it is developing the 50-400mm F/4.5-6.3 Di III VC VXD, an ultra-telephoto zoom lens for full-frame Sony E-mount cameras.
Tony Kemplen on the … Chinon Bellami
Snaffled for £3 at a charity shop, this 1980 model uses barn doors to protect the lens
Final Analysis
Damien Demolder considers... ‘Swimming Pool designed by Alain Capeillères, Le Brusc, South of France, 1976’, by Martine Franck
Panasonic Leica DG Summilux 9mm F1.7 ASPH
Amy Davies finds out whether this wideangle lens for Micro Four Thirds is a wise investment for stills photographers, as well as videographers
Making the big decision
Professional photographer Denise Maxwell weighs up the pros and cons of switching from her trusty Canon DSLRs to the mirrorless EOS R5
Better backgrounds, better images
In his latest column for AP, nature photographer Marsel van Oosten reveals why you must always strive for the best backgrounds in your pictures