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PAINTING IN THE RAIN
James Gurney shows how rain can be a plein air painter's best friend, but also their worst enemy A heavy downpour is fatal to an unprotected watercolor.
Suggesting Reality
Douglas Fryer discusses teaching, inspiration and creating highly expressive artwork
Where Van Gogh Painted
Five accomplished artists and a handful of students traveled overseas for a 10-day workshop in Southern France
A Change of Pace
Instead of using paper and glass as a painting support, John Lovett outlines how to construct a rigid primed board
Art School TODAY
ART INDUSTRY INSIDER with Vanessa Rothe
Hustle and Bustle
Watercolorist Amit Kapoor captures movement and action in his city scenes using purposeful, sweeping brushstrokes
In the Best Light
Cheri Christensen concentrates on value, temperature and color relationships in her animal art
Bold as Brass
Ans Debije uses blades to carve impactful, painterly still lifes in oil
Violet Bohemian
THE ART OF THE PORTRAIT
THE ARTIST AS ARCHIVIST
James Gurney shares his tips for preserving and interpreting your artwork
Unlocking Discoveries
Abstract artist David Michael Slonim talks imagination, intuition and finding your own voice
The Muse
Figurative artist Craig Pursley discusses his experience working with the same model for six years, in which he produced over 100 paintings
Against the Grain
Working gradually and meticulously, Linda Lucas Hardy creates her colored pencil art using the dry brush technique
Spontaneous Color
John P. Smolko demonstrates his one-of-a-kind mark making in colored pencil
Painterly Effects
The signature style of Jane French's portraiture is achieved through a mix of both sharp and loose brushwork
Free Bird
The alla prima technique lends Iryna Khort a sense of unbridled expression when capturing her wildlife subjects
Master Showcase
This painting is of my friend and fellow artist, Alla Bartoshchuk.
Painting With Passion
In every issue of International Artist we will feature a Painting Workshop from one of New Zealand's best artists.
JAMIE CORETH
Perception and Realization
Expressive Forms
Sculptor and SAS instructor Rod Zullo discusses his inspirations and artistic process
Harley Brown's fascinating things no one else will tell you - LIVING THE DREAM
I don't copy what I see, I do what I see.
Finding the Hidden Beauty.
Whenever I get a chance to work with a live model, I ask their permission to take photographs even when they are not posing.
Shared Joy
Claudia Hartley chats with Scottsdale Artists' School about her roots as an artist and instructor
Agile & Precise
Sandra Bartels moves swiftly between pastels and pastel pencils, focusing separately on each area of her subject
Social Realism
Warren Chang breaks down his recent paintings capturing elements of life in California during the past two years
Tactile Response
Anastasia Trusova utilizes gels, palette knives and scrapers to create multiple textures in her paintings
Painting an Intimate Self Portrait
Like most self-portraits, this painting is an personal paintings often arise from rather mundane circumstances.
The Drama of Nature
From plein air studies to final studio paintings, Kim Casebeer distills the intensity and vibrance of the landscape
FIVE PROBLEMS WITH GOUACHE (AND HOW TO SOLVE THEM)
James Gurney tackles challenges specific to the medium of gouache
Not an Easy Task
My teacher, Everett Raymond Kinstler, Loften said that when he looked at a painting, he was looking for three things: feeling, imagination, and the ability to communicate those first two.