The Norwich-based photographer is on a mission to revive the art of the traditional portrait in the age of the throwaway selfie
In the age of smartphones and selfies, we take more photos than ever – and yet we can sometimes be left without a single image of value, as photographer Joanna Millington discovered when her brother passed away four years ago, aged just 24.
“As with most people of that generation, the only images we have of him are from Facebook or Instagram,” she says. “Hastily shot selfies with filters. Snaps at a party. iPhone shots from a holiday. My parents wanted to frame a nice picture of him, and we just didn’t have any. How many of us can say we’ve had a professional photo taken of ourselves other, perhaps, than at a wedding? You have pictures as babies and children, and then you just don’t have your picture taken any more.”
And so Millington, 47, has made it her mission to bring portraits to the masses and change the perception of this very personal style of photography. “Portraits are a requirement of those in the public eye and I want to bring that to the everyday person,” she says. “Good quality, professional, but real photos that can be treasured and passed down through the family.”
From her studio and home in Norwich, Millington now focuses on portrait and event photography. It’s a relatively new direction for the mother-of-two, who’s known for her natural, observational and artistic wedding photography. Prior to this her background was in publishing, where she worked for the likes of Top of the Pops magazine and viewed photography as nothing more than a hobby. It was when she took eight years off to be a full-time mum that she bought her first SLR and her passion developed.
Esta historia es de la edición Issue 22 de Professional Photography.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición Issue 22 de Professional Photography.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Beauty And The Banal
Head of photographs Phil Prodger explains how William Eggleston used colour experimentally as the National Portrait Gallery opens the largest display of his portrait photography ever seen.
The Art Of The Incomplete
Amélie Labourdette’s work documents eerie, grey skeletons of unfinished buildings. Her images are a comment on how we inhabit the world, but they’ve also become pieces of art in their own right – and a hint at what might happen to us all in the future.
The Photographer's Guide to SEO
Discover how to get your photography website high in Google’s rankings
The Royal Treatment
Press photographer and agency head Joe Sene discusses the challenge of capturing iconic news moments, and how switching to Olympus has been a true game changer for him
Joanna Millington
The Norwich-based photographer is on a mission to revive the art of the traditional portrait in the age of the throwaway selfie
World Press Photo 2018 Gallery
In the world of 2018, photojournalism is more important than ever. From the aftermath of an ISIS car bomb to delicate meditations on our relationship with the planet, the annual World Press Photo of the Year contest celebrates and honours the industry’s finest. We present a selection of our favourite images from among this year’s winners.
Modern-day Daguerreotypes
Jerry Spagnoli has resurrected one of the oldest mediums in photography and adapted it to suit a contemporary clientele. Now museums are starting to pay attention
Something Really Wonderful Is Going On
A seagull is suspended, sunlit and spread-winged against a lowering sky. Men unknown to each other march together as if advancing on an unseen enemy. A woman with polished shoes searches through a large, pale handbag. Young girls in matching dresses look to be fleeing impending disaster. Eamonn Doyle shows us fragments of moments in a world of uncertainty and human frailty, with a unique and potentially devastating voice. A relative newcomer to the world of photobooks and photography galleries, he has become a powerful force in the art photography world since 2012.
Share Your Photography, Support A Charity
A new photography competition for positive social change.
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”