Commentators are debasing the term with unwarranted hyperbole
A couple of weeks back, the Reuters photographer Jonathan Bachman took a picture of a black woman standing calmly in front of advancing police officers at a rally in Louisiana (see page 82 for more of the story). The picture was immediately described as ‘legendary’ by commentators. Now, what follows is not a critique of Mr Bachman and the portfolio he created that day, which contains many notable images. The issue is, what was so legendary about the image, how does an image become legendary, and who decides?
Things achieve a legendary status over time, as they seep into our consciousness. It is an unexplained phenomenon, born of many small things that seem to accumulate a mass. But simply telling me that something is legendary is not enough. And doing so 30 seconds after the event is certainly insufficient.
Esta historia es de la edición Issue 12, September 2016 de Professional Photography.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición Issue 12, September 2016 de Professional Photography.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
Ya eres suscriptor? Conectar
Beauty And The Banal
Head of photographs Phil Prodger explains how William Eggleston used colour experimentally as the National Portrait Gallery opens the largest display of his portrait photography ever seen.
The Art Of The Incomplete
Amélie Labourdette’s work documents eerie, grey skeletons of unfinished buildings. Her images are a comment on how we inhabit the world, but they’ve also become pieces of art in their own right – and a hint at what might happen to us all in the future.
The Photographer's Guide to SEO
Discover how to get your photography website high in Google’s rankings
The Royal Treatment
Press photographer and agency head Joe Sene discusses the challenge of capturing iconic news moments, and how switching to Olympus has been a true game changer for him
Joanna Millington
The Norwich-based photographer is on a mission to revive the art of the traditional portrait in the age of the throwaway selfie
World Press Photo 2018 Gallery
In the world of 2018, photojournalism is more important than ever. From the aftermath of an ISIS car bomb to delicate meditations on our relationship with the planet, the annual World Press Photo of the Year contest celebrates and honours the industry’s finest. We present a selection of our favourite images from among this year’s winners.
Modern-day Daguerreotypes
Jerry Spagnoli has resurrected one of the oldest mediums in photography and adapted it to suit a contemporary clientele. Now museums are starting to pay attention
Something Really Wonderful Is Going On
A seagull is suspended, sunlit and spread-winged against a lowering sky. Men unknown to each other march together as if advancing on an unseen enemy. A woman with polished shoes searches through a large, pale handbag. Young girls in matching dresses look to be fleeing impending disaster. Eamonn Doyle shows us fragments of moments in a world of uncertainty and human frailty, with a unique and potentially devastating voice. A relative newcomer to the world of photobooks and photography galleries, he has become a powerful force in the art photography world since 2012.
Share Your Photography, Support A Charity
A new photography competition for positive social change.
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”
“With no whipped cream available, we ended up using mentholated shaving foam. Oh, does that sting the eyes!”
