CATEGORIES

MAKAIBARI'S NEW EXPERIENTIAL STORE IN KOLKATA IS DESIGNED TO EVOKE A TEA PLANTER'S BUNGALOW.

Smell the tea, feel the carpets, enjoy the space”—such is the invitation from Rudra Chatterjee, chairman of Obeetee and managing director of Luxmi Tea Group, at the launch of fine tea brand Makaibari’s experiential store in October, at the Taj Bengal in Kolkata.

ARTS OF HINDOSTAN PIECES TOGETHER A SHORT HISTORY OF THE MUGHAL FLOWER-FROM ITS ORIGIN IN ATELIERS IN MEDIEVAL INDIA TO ITS UBIQUITY ACROSS TIME.

The Mughal emperor Jahangir was famously enraptured by the beauty of flowering plants that he saw on his visit to Kashmir in the spring of 1620.

A FURNITURE-ARTWORK PAIRING COMES TOGETHER AS PAOLA LENTI'S CAMPANA BROTHERSDESIGNED BENCH IS REIMAGINED TO MATCH ARTIST HUGO YOSHIKAWA'S PLAYFUL STYLE.

Vegetation has been the central subject matter of many Hugo Yoshikawa artworks for the past few years.

FROM SCULPTURES TO JEWELLERY, ARTIST LYNDA BENGLIS'S DESIGNS FOR LOEWE FEATURED IN THE BANCA MARCH GARDEN IN MADRID EARLIER THIS YEAR.

This spring, when the gates of the private Banca March Garden in Madrid's Salamanca neighbourhood opened to the public, visitors could experience four monumental fountains, emerging from the ground and soaring towards the sky.

FERNS AND FLOWERS BLOOM ON TOD'S BAGS AND SHOES, A SPECIAL LINE DESIGNED BY RAHUL MISHRA― NATURE BEING HIS CONSTANT MUSE.

India was once called “sone ki chidiya” (golden bird) for its abundance of resources, wealth and prosperity.

HARAGO USES ITS NEW HOME COLLECTION TO SET A TABLE FOR AD IN A JAIPUR GARDEN.

The garden plays an important character in Jaipur fashion brand Harago’s rendition of home textiles. Sunflowers in bloom dot the embroidered running stitch on napkins, while cross-stitches crisscross throughout the collection.

IN HIS NEW BOOK, BOTANIST S NATESH TELLS THE STORIES OF 75 MAJESTIC TREES, DRAWING FROM THEIR HISTORY, MYTHOLOGY, SCIENCE AND CULTURE, WITH MOODY ILLUSTRATIONS BY SAGAR BHOWMICK.

The dictionary defi nes the word icon as “something that is a well-known example of its type, or is widely venerated or admired”.

ALIBAG

ARCHITECT A RAHUL MEHROTRA AND LANDSCAPE DESIGNER KUNAL MANIA R RIFF OFF EACH OTHER, ANTICIPATING HOW TREES MIGHT A GE OR A POOL MIGHT B CATCH DAPPLED LIGHT, ΤΟ CREATE ARCHITECTURE THAT A G CELEBRATES NATURE IN COUNTLESS WAYS.

COONOOR COONOOR COONOOR COONOOR COONOOR COONOOR

SET IN THE NILGIRIS' SHOLA FORESTS, A MODERNIST TWOLEVEL HOUSE ETCHED INTO THE NATURAL SLOPE OF THE MOUNTAINSIDE, OF INTERIORS LAYERED WITH THE FINEST TEXTILES AND DECORATIVE ARTEFACTS SOUMYA KESHAVAN'S LIGHT-FILLED HOME SITS NEATLY AND QUIETLY BETWEEN THE WILD TREES AND THE TEA GARDENS.

GURMEET SANGHA RAI

It has been 17 years since Gurmeet Sangha Rai started renovating and adding, in slow instalments, to the structure of her 125-year-old ancestral home in Nawanpind Sardaran, a village tucked deep in the heart of Gurdaspur, Punjab.

NILANJAN BANDYOPADHYAY

Artist and poet Nilanjan Bandyopadhyay spent a lifetime absorbing the learnings of Rabindranath Tagore, who in turn shared a special bond with Japan.

Mughal of Gardens Kashmir

Abba Narain Lambah traces the histories of Shalimar and Nishat, Verinag and Achabal, and the magical Pari Mahalexemplary as pleasure gardens but also for the clever landscaping and architecture behind their exquisite beauty.

Water Gardens of Sigiriya

Channa Daswatte writes about the historic, almost 2,000-year-old systems that barnessed the flow of water, transformed land and life, and today are part of the site of the elegant Water Garden hotel in Sri Lanka.

Indian Institute of Management Bangalore

Bijoy Ramachandran writes a personal essay on the architectureas completely embraced by naturein one of BV Doshi's most evolved works.

FOR AD'S GARDENS SPECIAL ISSUE, CHANNA DASWATTE PAYS TRIBUTE TO LUNUGANGA, THE ICONIC COUNTRY ESTATE OOF GEOFFREY BAWA AS IT COMPLETES 75 YEARS.

The ultimate Aman\" was how the hotel impresario Adrian Zecha once described Lunuganga in a private conversation over breakfast with Geoffrey Bawa on the southern terrace of the garden.

IT TAKES A VILLAGE

IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.

MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.

Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.

CLASSIC BEIRUT HERITAGE AND GLAMOUR

A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.

LAL KOTHI

TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.

ATELIERS DE FRANCE

More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.

ON THE EARTH

On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.

JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.

When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.

MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.

Art is made by a single individual for the enjoyment of another.

RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.

Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.

SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.

Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.

THE CUTE NEW VARIANT OF THE ICONIC WISHBONE CHAIR IS MADE FOR CHILDREN AGED THREE AND UP.

Hans J Wegner designed around 500 chairs in his lifetime. While several of them are known as innovative masterpieces, one of his most iconic creations remains the CH24 Wishbone Chair designed in 1949.

DESIGNED BY KUMAR LA NOCE FOR ALTREFORME, BINDOO IS A COLLECTION OF WHIMSICAL MIRRORS THAT TAKE INSPIRATION FROM THE HUMBLE DOT.

Inspired by the Sanskrit word for \"dot\", Bindoo, a trifecta of geometric mirrors by Indo-Italian design practice Kumar La Noce for Italian high-end aluminium furniture company Altreforme-unveiled at Milan Design Week 2024-is an object lesson in infinity.

SINGING IN BRASS

FROM ORNATE IMAGES OF INDIAN MYTHOLOGY TO CHINOISERIE TO ABSTRACT ORGANIC FORMS, THE ENIGMATIC CRAFT OF BRASS REPOUSSÉ COMES TO LIFE AT VIKRAM GOYAL'S ATELIER IN NOIDA.

MAY/JUNE DISCOVERIES

Reuse, repurpose, restore: Here is our dispatch from the world of design and architecture with a spotlight on sustainability. Danish brand Mater taps Patricia Urquiola to craft a line of sleek furniture from waste material. Bottega Veneta's Matthieu Blazy finds inspiration in a classic Le Corbusier design. Mumbai's 165-yearold Afghan Church gets restored to its original glory. Enjoy this summer issue.

50 YEARS OF MAHENDRA DOSHI

As a child I remember accompanying my parents on their collecting trips. Going to museums, art galleries and furniture warehouses is what we did on Sunday mornings in the 1980s in Bombay. There were no malls and my parents felt guilty leaving us home. We were welcomed into these treasure troves of art and design with equal élan by their humble owners, who were always there on the shop floor. Holiday or not. And that is how one spring morning, I met the doyen of period furniture, Mahendra Doshi. We would spend hours with him in his dusty cavern-like basement, nestled against the Arabian Sea with a view of the entire Queen's Necklace. I remember seeing stars in my father's eyes. He did that when he saw things he liked. My parents may or may not have picked up a piece, but I always took back a story. For amidst those dusty alleys of piled up \"junk\" and heaps of old furniture lay stories of history, homes and heritage. Stories we were regaled with by the gentle giant. He was simply Mahendra bhai to my parents and Mahendra uncle to me.