ARTHUR MENSCH
32 WIND OF CHANGE
By Elad Gil
Since meeting Arthur Mensch, I've admired his ability to combine bold vision with execution. Arthur's work as CEO of Mistral Al, one of a number of startups I have backed in the AI space, has placed him at the intersection of key trends that will make AI more accessible to billions of people from developing small, high-performance AI models that can run locally on smartphones and other devices to demonstrating the potential reach of an open-source (or open-core) approach.
Arthur has led the company's lightning-fast growth, releasing multiple AI models within one year of its founding in May 2023. He is a creative leader, championing a structure made up of small teams of four or five people that is designed to preserve innovation as Mistral scales. Arthur's commitment to democratizing AI has resulted in a platform where developers can innovate freely with flexible, open-source models. His foresight in addressing gaps overlooked by others has set Mistral apart and opened up the world of country- and language-specific Al. He is dedicated to advancing model efficiency at the technology's frontier and providing an AI alternative for everyone, everywhere.
LAUFEY
25 OTHERWORLDLY ARTIST
By Olivia Rodrigo
The first time I listened to Laufey's album Bewitched, I was captivated by her music and how she was able to build a singular world. I sent her a DM, you're the coolest girl ever-can we hang out? And that sparked a wonderful friendship.
Laufey makes jazz and classical music feel accessible to our generation. Her music is a place where everyone is welcome, and it's never pretentious. When she performs, she's maestroesque, playing so many instruments and hitting every note perfectly.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
J.D. Vance's juggling act
Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
The hunt for life on a moon of Jupiter begins
NEARLY HALF A BILLION MILES FROM EARTH, A WORLD may be stirring.
