Capture Music

Music photographer Kevin Nixon is no stranger to the stage – or to a dynamic image. Here’s his advice for getting great gig shots

While it’s becoming more difficult to make a living purely out of music photography, there are still talented, well-connected and hardworking photographers who are able to do so. Kevin Nixon is one such photographer, and, with almost 30 years of experience in the industry, he’s well placed to explain how you can take better shots at live music events.

In this feature, Kevin will share insights and his first-hand knowledge of shooting, editing, and building a relationship with artists. Gigs are his forte, so you can expect plenty of technique and kit advice.

Live music photography is a rewarding and exciting genre, but it requires quick reactions, and the low-light conditions you have to work in also pose a challenge. Kevin has shared tips for preparing yourself to work without flash, including how to expose and choose settings in the dark and often-mad environment of a busy concert.

Over the next few pages, you’ll discover more than just the technical elements of taking great music shots. You’ll find out how to capture the atmosphere, work with artists and look for shots that will set your images apart from the competition.

KIT OPTIONS FOR LIVE MUSIC

Cover all aspects of gig photography with your lighting and photo gear

Three songs, no flash!” Anyone shooting music will have heard this mantra hundreds of times, as it tends to be the industry standard around the world. What it essentially means is that you have approximately 10-15 minutes in the pit to capture images, with the constraints of whatever lighting is available.