Have you ever shot a landscape under glorious conditions then rushed home to look at the results, only to find they are slightly underwhelming? It’s happened to me more than once. It doesn’t necessarily mean you did something wrong… it might be that the image needs a little coaxing into life. Often the challenge with landscapes is in recording detail in the brightest and darkest parts of the scene.
When the sun is low in the sky this can be doubly difficult, as the highlights will be strong and the shadows can be very deep. As such, on initial inspection the scene can be a disappointment, with detail-less dark areas or blown out skies.
However, just because the detail isn’t visible at first, it doesn’t mean it’s not there. As long as pixels aren’t clipped to pure black or white, then there’s a good chance we can pull detail out of the tonal extremes and balance the image. This is especially true if the image is a Raw file as Raws have greater dynamic range than JPEGs, which means they hold extra detail in the highlights and shadows. But even JPEGs can be enhanced to tease out extra detail.
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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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