Dawn over Compton Pauncefoot from Cadbury Castle, Somerset, England, 05:05, 25th July 2017
The creative process for photographers is a long and enduring affair, but David Noton explains why printing off your work is considered one of the biggest payoffs in the workflow
04:30 25th July 2017 Cadbury Castle, Somerset. Getting up before 4 am to climb a hill in the darkness before dawn is the most natural thing in the world to do, isn’t it? There’s something special about a dawn patrol; it feels like an adventure, even after all these years, and despite the fact I’m only a few miles from home.
On the drive over I saw patches of mist forming in fields. Now I’m trudging up to the iron age hill fort that could be Camelot as darkness lifts. Through the trees I gather glimpses of the mist shrouded landscape; this is looking good. My pace quickens; I’m panting in my eagerness to get there and set up. No matter how much time I allow I always end up rushing – desperate not to miss a thing.
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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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