David Noton on shooting with the exciting EOS R5 mirrorless beast that's been on every Canon user's mind…
Finally, I have in my hand the EOS R5; Canon’s new all-singing, all-dancing, much hyped top-end mirrorless camera that we’ve known was coming for almost a year. It’s the camera, along with its R6 stablemate and raft of new RF lenses, that puts real flesh on the bones of Canon’s increasingly comprehensive mirrorless EOS R system. I’ve been shooting with one over the last few weeks, tackling a variety of subjects and genres; from landscapes to portraits to animals to astronomy; from barley fields to speeding dogs, birds of prey, frolicking infants, streaking comets, flowers in the garden, windblown sisters and cows in the rain. I've done it all. I reckon I know this camera pretty well now, and how damned impressive it is, too. It’s a camera the tripod and filter manufacturers will hate…
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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!