Creative composites in Serif Affinity Photo
PhotoPlus : The Canon Magazine|December 2020
James Paterson gets to grips with key montaging skills and shows you how to craft incredible composite photographs with ease in Affinity
James Paterson
Creative composites in Serif Affinity Photo

THE MISSION

Learn how to add a figure to a scene in Affinity Photo

Time needed

20 minutes

Skill level

Intermediate

Kit needed

Affinity Photo

One of the things Affinity Photo does best is allow you to combine two or more photos in creative ways. Like it’s pricier forebear Photoshop, Affinity Photo utilizes layers for photo editing. This means you can cut out different parts of photos and layer them on top of one another, like sheets of paper in a collage, in order to create a composite photograph like this.

In this tutorial we’ll explain how to make a simple composite.

There are three key stages to making a natural-looking composite like this. First we use selections to isolate the subject and a mask to remove the background. Next, we copy in and position the subject against their new backdrop. Finally we use tonal tools and add shadows to match the two images, so that it looks like they belong together.

This last part is where composites often fall down. It can be tricky to match the two images together, but it helps if you master a few key tonal tools. Shadows can also help to sell the effect by grounding the subject in their new scene. It helps too if both images share a similar feel in terms of the lighting. Here both the giraffe and the road scene are softly backlit from behind, giving both images a moody feel that helps them to gel.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM PHOTOPLUS : THE CANON MAGAZINEView all
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
PhotoPlus : The Canon Magazine

The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills

Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.

time-read
1 min  |
October 2024
Fright night
PhotoPlus : The Canon Magazine

Fright night

Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist

time-read
1 min  |
November 2024
Sharpen your shots with DPP
PhotoPlus : The Canon Magazine

Sharpen your shots with DPP

Sharpening a digital image also increases contrast at the edge of details

time-read
2 mins  |
November 2024
CANON ImagePrograf PRO-1100
PhotoPlus : The Canon Magazine

CANON ImagePrograf PRO-1100

Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says

time-read
3 mins  |
November 2024
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
PhotoPlus : The Canon Magazine

Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!

The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings

time-read
2 mins  |
November 2024
DREW GIBSON
PhotoPlus : The Canon Magazine

DREW GIBSON

Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands

time-read
10+ mins  |
November 2024
Up in smoke
PhotoPlus : The Canon Magazine

Up in smoke

Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson

time-read
3 mins  |
November 2024
Expand your creativity with Generative Fill
PhotoPlus : The Canon Magazine

Expand your creativity with Generative Fill

Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...

time-read
2 mins  |
November 2024
Turn your images into vintage postcards
PhotoPlus : The Canon Magazine

Turn your images into vintage postcards

Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look

time-read
2 mins  |
November 2024
The Angel Malibu
PhotoPlus : The Canon Magazine

The Angel Malibu

Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!

time-read
3 mins  |
November 2024