Double takes
PhotoPlus : The Canon Magazine|January 2022
Combine images the modern way for an old-school film effect and learn key layer skills in Affinity Photo with expert James Paterson
James Paterson
Double takes

THE MISSION

Blend two photos to create a double exposure

Time needed 20 minutes

Skill level Beginner

Kit needed Affinity Photo

Double-exposures are among the easiest of effects to try out on your photos. The act of blending two images into one is not only eye-catching, but also allows you to explore conceptual themes in your photography.

Through your choice of photos, you can create conceptual images that spark ideas and pose questions. You could evoke an atmosphere of big-city melancholy like this, or juxtapose themes.

The technique is simple in Affinity Photo, and offers an ideal introduction to several layer tools and tricks. We begin by copying one image on top of another, so that they each sit on their own layer. Once done, we can use a layer blending mode to merge them, so that the lighter parts of each image show through, like an old film camera double exposure.

After this, we can fine-tune the blend by tweaking the positioning and using a layer mask to control which parts are visible. Finally, we can add a black-and-white effect to help everything gel together. The real skill here is in choosing images that work in harmony with one another. Strong, bold shapes, like the silhouetted couple and the building here, tend to work very well – you can download both start images (double_1.jpeg and double_2.jpeg) for free from the link on the left. But it’s worth experimenting with different photos in your own image library to see which works best.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM PHOTOPLUS : THE CANON MAGAZINEView all
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
PhotoPlus : The Canon Magazine

The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills

Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.

time-read
1 min  |
October 2024
Fright night
PhotoPlus : The Canon Magazine

Fright night

Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist

time-read
1 min  |
November 2024
Sharpen your shots with DPP
PhotoPlus : The Canon Magazine

Sharpen your shots with DPP

Sharpening a digital image also increases contrast at the edge of details

time-read
2 mins  |
November 2024
CANON ImagePrograf PRO-1100
PhotoPlus : The Canon Magazine

CANON ImagePrograf PRO-1100

Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says

time-read
3 mins  |
November 2024
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
PhotoPlus : The Canon Magazine

Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!

The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings

time-read
2 mins  |
November 2024
DREW GIBSON
PhotoPlus : The Canon Magazine

DREW GIBSON

Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands

time-read
10+ mins  |
November 2024
Up in smoke
PhotoPlus : The Canon Magazine

Up in smoke

Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson

time-read
3 mins  |
November 2024
Expand your creativity with Generative Fill
PhotoPlus : The Canon Magazine

Expand your creativity with Generative Fill

Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...

time-read
2 mins  |
November 2024
Turn your images into vintage postcards
PhotoPlus : The Canon Magazine

Turn your images into vintage postcards

Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look

time-read
2 mins  |
November 2024
The Angel Malibu
PhotoPlus : The Canon Magazine

The Angel Malibu

Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!

time-read
3 mins  |
November 2024