THE MISSION
Enhance your sunset photos with simple tonal tools in Affinity Photo
Time needed
15 minutes
Skill level
Beginner
Kit needed
Affinity Photo
Have you ever returned from shooting a stunning sunset to find that your photos look slightly underwhelming? Those reds, yellows and oranges in the sky that seemed so bold at the time can occasionally come out rather dull. But with a few simple tweaks we can boost the sky, enhance the tones and produce an image that looks exactly how you remember on the day it was captured.
Affinity Photo has lots of colour boosting tools and this tutorial we use a trick in the Channel Mixer adjustment. As the name suggests, this tool let’s us mix our red, green and blue channels. Each pixel in our image is initially made up of a specific value for red, green and blue, on a scale from 0-255. By adjusting the channel mixer we can change the values and shift the colours one way or another.
The Channel Mixer can do wonders for your sunsets as it boosts the colour ranges in the sky which results in gorgeous warm tones. What’s more, as the effect sits on its own layer we have the freedom to change the strength at any time, either by duplicating the layer to make it stronger, or reducing the layer opacity to make it weaker. We can also use it selectively over the sky by using a layer mask, which is useful for reducing the effect in oversaturated clouds and increasing it in the waves. Download our image ‘sunset_before.jpg’ via web link on the left to get started.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!