BlackFlash Magazine - 41.2Add to Favorites

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Artist project:
Reimagine: Narratives
Anahita Akhavan

Artist project:
Hardly Working
Matt Nish-Lapidus

Feature:
All That You Change
Crystal Mowry on Laura St. Pierre

Feature:
Silencing in the Sector
Aisle 4

Feature:
MOTHRA: Artist-Parent Project
Labour and Love
Sarah Cullen

Feature:
Nice Work If You Can Get It:
Reflections on Writing My First Art Review
Neil Price

Conversation:
Mining Materials: A Conversation with Louie Palu
Sioban Angus

BlackFlash Magazine Description:

出版社Buffalo Berry Press Inc.

カテゴリーArt

言語English

発行頻度3 Issues/Year

BlackFlash Magazine is a platform for contemporary visual art.

BlackFlash is dedicated to presenting critical opinions, urgent issues, and innovative ideas about divergent artistic practices from across Canada, the United States and beyond. Each issue includes feature articles, profiles, interviews, and artist projects from a diverse selection of artists, writers, and curators. BlackFlash fosters a rich public engagement with image-based practices, such as photography and video as well as sound, performance and social practice by promoting energetic debate and showcasing diverse voices and communities (local, regional, national and international).

BlackFlash was founded in 1983 by the Saskatoon artist-run centre, The Photographer’s Gallery (TPG). We are currently working on our 38th year of publication, making us one of Canada’s longest running magazines. BlackFlash is proudly published, designed, and disseminated in Saskatoon, Saskatchewan, and is an internationally recognized resource and authority on Canadian and international contemporary art.

BlackFlash was created to promote contemporary photography and over its thirty-five year history, the magazine evolved, following the artistic trajectory of photo-based practice to include artists working with new technologies such as video and digital media. In its commitment to being responsive to artists and relevant to contemporary art practice, the magazine has recently broadened its editorial mandate, while affirming its distinctive prairie perspective.

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