Gwynned Vitello: Your work has real vibrancy and immediacy, so I can see how you got lots of work as a graphic designer. The paintings kind of burst and sing, but I guess you felt boxed in doing corporate work. Tell me about your transition to full-time painting.
Ana Leovy: Thank you! Painting has always been my passion, and, as a kid, I always dreamed of being a painter. I initially wanted to major in visual arts, but ended up going for a “safer” choice and studied graphic design, out of my fear of not being able to have a successful career, of not making a living. Although it was not my dream job initially, I don’t regret choosing graphic design as a career. I ended up loving it and I’m grateful because it gave me so many tools I use today.
I started transitioning to full-time painting about three years ago. I’d been working as a designer in an ecommerce start-up in Mexico City, completely fed up with the routine and the long commute. It was a good job, but I felt like there was something missing and it felt wrong to stay there any longer. I decided to move to Barcelona and did a masters in graphic design applied to illustration. I think that was my true beginning! My love for design grew while discovering creative sides within illustration. Spain was particularly special to be because I was surrounded by people who lived off art and inspired and pushed me to do the same. I had lots of spare time between classes, so that allowed me to get back to my sketchbook and let it all out. It was very cathartic.
この記事は JUXTAPOZ の Winter 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は JUXTAPOZ の Winter 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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