The amount of literature and films lost to us by would-have-been female creators, who were otherwise confined under the triple yoke of patriarchy, religion, and imperialism, is unfortunate.
Fatima Begum is widely considered as undivided India’s first woman filmmaker. With her 1926 fantasy film, Bulbul-eParistan, she pioneered the art of modern filmmaking as we know it. While Jaddanbai, Nargis’ mother, successfully bankrolled her own films, making them commercially viable too. She was also among the first female music composers in India. And then there’s Devika Rani, who challenged the kind of structures few creators would have even acknowledged. She starred and produced Achut Kanya (1936), a reformist masterpiece that put the atrocities of caste firmly in the limelight.
Unfortunately, no prints of Bulbul-eParistan or Achut Kanya survive today. Female filmmakers slowly petered out post-Independence. Later, with the advent of filmmakers like Sai Paranjpye, Aparna Sen, Kalpana Lajmi, among others, there was some hope of a feminist revival. But the momentum couldn’t be sustained.
But now, the advent of democratisation of the digital space and unhindered creativity afforded by producers of OTT platforms has ushered in a new wave of female storytellers. Their point of view as diverse as the Indian mind, their characters more nuanced than ever before, and the gaze of the film camera (finally) more empathetic.
How important is it then to nurture and protect this reformation of sorts, a movement of its own? Or should the celebrations already begin?
WARMTH & EMPATHY
ãã®èšäºã¯ Grazia ã® May 2021 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Grazia ã® May 2021 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Under The Needle
With filler-face phasing out, we are embracing the natural aesthetic but not how you might expect it
BUILDING A LEGACY
Driven by passion and a commitment to quality, this brand is making a mark in the luxury furniture market with a perfect blend of local artistry and global design
A WALK DOWN FIFTH AVENUE
From high fashion to historic landmarks, this coffee table book explores how Fifth Avenue became the heartbeat of New York's cultural and social scene
NO SEX, MO' PROBLEMS?
At a time when sex seems to be everywhere, women are experiencing a dip in their sexual desires. We find out why
MORE THAN IT SEAMS
Who says lace canât be hewn from leather? Or that paper canât sit on the body like a weathered old sweater? In a time of rampant production and boundless creativity, is material the final frontier for designers? When all else seems lost to the algorithm, fashionâs deceptive ingenuity requires us to look a little closer
TABLE FOR ONE, PLEASE
In a world obsessed with couplegoals, hereâs why taking yourself out for a date might just be the ultimate love story
THE DREAM CANVAS
In the city that wholeheartedly embraces its role as a global cultural hub, the second edition of Art Mumbai promises to redefine creativity and innovation
SPRING FORWARD
Of hits, misses, and everything in between this season at Lakmé Fashion Week x FDCI
LUST-WORTHY LUXURY LABELS
To Light Up This Wedding Season
ICONIC DESIGN MEETS A MOBILE FUTURE
The new Dell XPS is designed for new age content creators and suave C-suite