The set designer’s office is plastered with photographs taken from realworld space stations. Though G-LOC is set quite far in the future, the aesthetic is meant to be one that’s lived in. The Rheans prefer more mechanical and cruder approaches to technology, so the entire ethos behind the set design is to make the whole thing lived. The office is littered with tiny models of the set and countless rejected ideas. The set designers have spent hours poring over old archive footage of the Space Race, and are clearly inspired by the MIR and SkyLab, but more towards the end of those stations lifespan.
The set is busy; one small area is a full spaceship console, complete with switches, pilots chair and the like. It looks amazing once the lights are turned on. Another set is a generic control room, one that has been redressed more than once throughout filming. Finally, we make it to a classic sci-fi corridor. Actors Casper Van Dien and Tala Gouveia are gearing up for a day of action-heavy filming in the claustrophobic corridor that makes up much of the movie’s set.
この記事は Starburst Magazine の October 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Starburst Magazine の October 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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