How did you get into photography?
My journey in photography started in my childhood as my father was a geologist and spend his time away from us. I was a young child and I remember these communities and different parts of the world. I was taken out of this side of the world and put in boarding school, so I was confused between both the worlds.
But becoming a photographer was an accident. At the age of 16 I ran away to Tibet and stayed with the monks. With a small camera, I was trying to find a way to reconnect with myself and the experience that I had in my childhood. And in many ways, I’ve spent the whole of my life since then trying to reconnect with it. It’s not the photography which thrills me but it’s using the camera to see the other and present them in a way that we’ve never normally seen them.
How did you develop an interest in photographing portraits of tribal and indigenous people?
Well I just described in my previous answer the interest started when I left home and went to Tibet with the monks. And trying to find a way to reconnect with myself and that experience that I had in my childhood. I used to capture photos of every person who was nice to me. And that’s how I developed my interest in photographing tribal and indigenous people.
What is the most difficult and rewarding part of being a photographer for you?
ãã®èšäºã¯ Asian Photography ã® April 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Asian Photography ã® April 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
LENS OF COURAGE
Photojournalism, especially in war and documentary photography, demands not just technical skill but deep empathy and courage. This genre captures historyâs rawest moments, influencing public perception and policy by bringing distant conflicts into sharp focus. In this issue, we interview Claire Thomas, a renowned photojournalist whose work spans global political and military conflicts. Claire discusses her journey, the evolution of her work, and the challenges of capturing powerful imagery while respecting her subjectsâ dignity. Her photography highlights the resilience of people in adversity, making her a compelling voice in contemporary photojournalism.
THE CHALLENGES AND TRIUMPHS OF WAR PHOTOJOURNALISM
In the realm of journalism, few fields demand as much courage, skill, and sensitivity as war reporting. Photojournalists on the front lines bear witness to conflicts, translating the chaos and human suffering into images that tell stories of unimaginable complexity. This article explores the evolution of war reporting, the ethical and legal considerations involved, and the impact of technology and collaboration in shaping this crucial form of journalism.
TIPS FOR CREATING A COMPELLING DOCUMENTARY PHOTO SERIES
Documentary photography is a powerful medium that tells stories through images, capturing moments that resonate with viewers and often convey deep emotional truths. A compelling documentary photo series can influence opinions, spark conversations, and bring awareness to issues that might otherwise remain in the shadows. However, creating a documentary photo series that stands out requires more than just technical skill with a camera it requires thought, planning, and a deep connection to the subject matter. In this article, we provide some tips that can help you tell a compelling story.
GETTING YOUR WORK PUBLISHED: HOW TO PITCH YOUR PHOTOS TO MEDIA OUTLETS
In the ever-evolving world of media, photojournalism stands out as a compelling and impactful form of storytelling. A single photograph can capture a moment in time, convey profound emotions, and provide an insightful perspective on global events. For photojournalists, getting their work published is a crucial step in advancing their careers and ensuring that their stories reach a wider audience. However, the process of pitching photos to media outlets can be daunting. This article provides a comprehensive guide to help photojournalists effectively pitch their work and increase their chances of getting published.
Sony India launches ZV-E10 II camera at â¹94,990
Sony India has launched the ZV-E10 II, the successor to its popular ZV-E10 camera, aimed at content creators, vloggers, and photographers.
Vivo India launches second edition of Smartphone Photography Awards led by Zoya Akhtar
In celebration of World Photography Day, vivo India has announced the launch of the second edition of the vivo Imagine Smartphone Photography Awards.
FUJIFILM India launches the FUJIFILM X-T50 at â¹1,49,999
FUJIFILM India has unveiled the X-T50, the latest addition to its X series of mirrorless digital cameras. Priced at â¹1,49,999 for the body, the X-T50 combines exceptional image quality with a compact, lightweight design, targetting both photography enthusiasts and professionals.
Philo-Photo Photography Awards launched
The first edition of the Philo-Photo Photography Awards is now open, inviting photographers from around the globe to showcase their creative vision under the theme âUnity through Diversity.â
Nu Republic Cybotron SPIN Review
A Nu contender has entered the arena of electronic accessories! Nu Republic is a Delhi-based lifestyle technology brand with a variety of wearable technology and more. Today we're reviewing their Cybotron SPIN a compact MagSafe compatible wireless power bank with a fidget spinner on it! Because apparently itâs still a thing in 2024? Price on the box says â¹5499 but is â¹2499 on their website, which is more likely the actual price. Is it worth this price? Letâs take this for a spin and find out!
HOW TO BECOME A WAR PHOTOGRAPHER
War photography is one of the most challenging and demanding professions in journalism. Capturing the harsh realities of conflicts requires not only photographic skill, but also a deep sense of responsibility, courage, and resilience. In this article, we aim to guide you through the essential steps of becoming a war photographer, from developing the necessary skills to understanding the risks and ethical considerations involved.