It’s already taken him over two years to play through the games of 1992, from Wizardry: Crusaders of the Dark Savant (“has a way of feeding the player overwrought prose”) to Ultima Underworld: The Stygian Abyss (“groundbreaking, innovative, well-produced, addictive, enormously fun to play – and at the same time a bit disappointing in what they did and didn’t do with the story”). And also the games you won’t remember, from Bandor: The Search for the Storm Giant King (“I binged a decent chunk of TV series episodes while playing the game because I needed some other source of entertainment”) to Ultizurk II: The Shadow Master (“extremely basic”).
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A New Dawn - The rise, fall and rise again of PC Gaming in Japan
The so-called 'Paso Kon' market (ie katakana's transliteration of 'Pasonaru Computa') in Japan was originally spearheaded in the 1980s by NEC's PC-8800 and, later, its PC-9800.
MARVEL: ULTIMATE ALLIANCE
Enter the multiverse of modness.
SLIDES RULE
Redeeming a hated puzzle mechanic with SLIDER
GODS AND MONSTERS
AGE OF MYTHOLOGY: RETOLD modernises a classic RTS with care
PHANTOM BLADE ZERO
Less Sekiro, more Wo Long: Fallen Dynasty
STARR-MAKING ROLE
Final Fantasy XVI's BEN STARR talks becoming a meme and dating summons
THIEF GOLD
Learning to forgive myself for knocking out every single guard.
HANDHELD GAMING PCs
In lieu of more powerful processors, handhelds are getting weirder
FAR FAR AWAY
STAR WARS OUTLAWS succeeds at the little things, but not much else shines
FINDING IMMORTALITY
Twenty-five years on, PLANESCAPE: TORMENT is still one of the most talked-about RPGs of all time. This is the story of how it was created as a âstay-busyâ project by a small team at Black Isle Studios