If tampering with anything by Jaguar was a toxic brief for coachbuilders in the 1950s and '60s, then to meddle with the E-type seemed like a crime of arrogance akin to scrawling a moustache on the Mona Lisa. Why take the world's most beautiful car' and make it something less than beautiful? Predictably, the E-type did not prove to be a fertile playground for lily-gilders in period, although a handful tried.
Not lacking in ego, stylist Raymond Loewy thought he could do better, but the brutish 1966 XKE he had made for his own use (which is still around and still very original) seems less heretical than his attempts to improve on the BMW 507 a few years previously. About the origami Guyson E12 roadster of the early 1970s the less said the better, other than to express surprise that the firm actually built two of them.
In some ways, Bertone's radical, Lamborghini Espada-like Pirana concept car from 1967 manages to get away with it, because its E-type underpinings are almost incidental to the concept of producing a Daily Telegraph colour supplement sponsored 'ideal' car.
Not so the Frua Jag of 1966. Still indisputably an E-type, albeit in a fussier, less harmonious form, it aroused very mixed feelings when shown at the Geneva Salon that year. Reworked details that appeared acceptable in isolation - mainly the heavy front bumpers and miniaturised MkX grille - looked like a false beard and dark glasses on a familiar face. Much less obvious was the fact that the altered bonnet was heavy enough to affect the handling at first, due to the patchwork of fabricated and brazed sections used to reshape it by Frua's coachbuilder, Italsuisse of Geneva.
The car was a useful 6in shorter than the original, although some of that advantage was lost to the boxy rear bumper, which framed the chunky tail-lights and protruded awkwardly from that previously shapely rump.
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Mick WALSH
'Had someone said that this worn-looking titan would win the most famous old-car event, we would have laughed'
ALFA ROMEO STELVIO QF
Rewriting the rulebook on what an SUV can do, and how it can make you feel
FLOATING INTO THE FUTURE
Citroën's DS-replacing CX was at a cutting edge so sharp it still looks fresh today, and it had the drive to match - as five superb survivors reveal
"It's a car for posing in really"
Broadcaster Michael Buerk reflects on more than three decades with his beloved Jaguar E-type S1 3.8 fixed-head coupé
HONDAS DECK THE HALL
The Japanese firm's Los Angeles collection is now on public display for the first time in two decades
ABSOLUTELY buzzing
Honda's Si Civics brought agile, cheap fun to motorists long before the Type R name got anywhere near a hatchback
THE FEMININE TOUCH
In 1955, General Motors styling guru Harley Earl brought 11 talented women into the male-dominated world of automotive design. What was their lasting impact?
Out on a limb
Panther's innovative Solo 2 was something completely different, both for its maker and the sports car market
Restyles with substance
Panther Westwinds blended a passion for pre-war designs with modern-era mechanical usability and remarkably fine coachbuilding
Dead ringers
The Maserati Kyalami and De Tomaso Longchamp share much, having emerged from the same stable, but are poles apart at heart