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GARY STINTON
The Herefordshire-based artist tells REBECCA BRADBURY how he portrays the strength, power and formidable beauty of big cats through his life-sized pastel portraits
Ania Hobson
With a BP Portrait Award before her 30th birthday, this young Suffolk artist has already created a distinctive style of her own, as STEVE PILL discovers
COHESIVE PALETTES
Royal Institute of Painters in Water Colours member CHRIS FORSEY reveals his palette choices and how he combines them to create dynamic paintings
A SENSE OF DEPTH
When this charming scene presented itself to MATT JEANES, it came with a challenge: how to paint the foreground and background without overpowering one another
10 MINUTES WITH MARIA RIVANS
The collage artist reveals the influences behind her aesthetic. Interview: REBECCA BRADBURY
7 Lessons From Andy Warhol
Tate Modern’s forthcoming retrospective of the Pop Artist’s work is the perfect chance to learn from his unique approach to painting says Ravneet Ahluwalia
REVISITING A MASTERPIECE
Art tutors ROB AND SIÂN DUDLEY visit the site of Constable’s The Hay Wain to share new and creative ways of painting landscapes made famous by an Old Master
Magic Circles
An unusual round format and a shroud of fog has elevated GILL ROCCA ’s imaginary landscapes to a new level. STEVE PILL visits her calming studio to find out more
Underway Studio
STEVE PILL visited the South London printmaking collective to find out how four individual artists have pooled their talents to create a singular creative vision
Drawn to Simplicity
Drawn Even with a camera to hand, sketching a scene can be a valuable part of the painting process as it helps you focus on the key elements, as GRAHAME BOOTH explains
The Working Artist
Our columnist LAURA BOSWELL on why no one wants to see a filtered version of an artist’s life
Christopher Ryland
The Suffolk watercolourist celebrates 25 years as a member of the Society of Botanical Artists by sharing his expressive approaches to colour and composition
Sketching the Masters
Making a quick oil sketch of an Old Master painting not only helps you understand techniques, but also teaches you a lot about yourself, as SARA LEE ROBERTS explains
Building layers
Subtle glazes of pure colours can turn a simple paint-by-numbers into a photorealist masterpiece as LORENA KLOOSTERBOER reveals
Screen Print
In love with bold colours and strong lines? Award-winning illustrator ELIZA SOUTHWOOD shows you how to make a simple, graphic screenprint
William Orpen
ROSALIND ORMISTON looks at the evolving paint techniques of this early 20th-century British master of portraits and studio interiors
The Working Artist
It’s time to start asking for what you want, says our columnist LAURA BOSWELL
The Big Frieze
RACHAEL FUNNELL looks at the work of three artists who have travelled to the ends of the earth to document frozen landscapes and raise awareness of the climate crisis
Lorna May Wadsworth
As the Sheffield portrait painter readies for a major hometown retrospective, she tells us stories about approaching Margaret Thatcher and reworking the Last Supper. Interview: RACHAEL FUNNELL
Fresh Paint
Inspiring new artworks, straight off the easel
The Painter Within
LUCIAN FREUD’S self portraits are a celebration of paint, and a chance to get close to the late, great artist.
Soaking In The Bath
New English Art Club president PETER BROWN is back on home turf for his latest exhibition of paintings of Bath, but he still has lots to learn he tells MARTHA ALEXANDER
Renaissance Drawing
Classically-trained portrait artist SVETLANA CAMERON shows you how to put a modern twist on the three-colour drawing technique used by Italian masters
Martin Gayford
The Spectator art critic and author opens up about his new books, having his portrait painted by Lucian Freud, and what David Hockney really likes to talk about. Interview: STEVE PILL
Cezanne's Trees
SELWYN LEAMY shows you how to emulate the French master’s techniques and describe forms with your brushwork in this simple demonstration
Portrait Exercises-Structure
In the final part of his series, HASHIM AKIB shows how to establish a facial structure while still keeping the brushwork expressive
In The Studio-John Monks
Discover how the Manchester artist’s paint-splattered studio inspired his latest exhibition.
Art History-The Other Brother
Unfairly neglected in favour of his ambitious sibling, the lyrical landscape paintings of JOHN NASH deserve reassessing says author ANDREW LAMBIRTH
10 Minutes With-Gerard Byrne
The Irish figurative painter revealed how a life-threatening accident led to a career change and an artistic residency at the Singapore Botanic Garden.
Talking Techniques-Andrew Roberts & Benjamin Hope
Ahead of a two-man show, the landscape painters open up to MARTHA ALEXANDER about everything they have in common – and everything they don’t