He went on to carve his niche with erotic thrillers Murder, Zeher, Gangster and Jannat. Dramas like The Dirty Picture, Once Upon A Time In Mumbaai, Shanghai and Why Cheat India marked his move beyond the amatory towards sociopolitical complexities. His young son, Ayaan Hashmi’s tryst with and triumph over cancer not only changed his perspective towards life but also resulted in him co-writing the book, The Kiss of Life, with Bilal Siddiqi. Celebrating his bond with Siddiqui further, Emraan has now ventured into the OTT platform with the series, Bard Of Blood (Netflix), based on the book by the writer. Directed by Ribhu Dasgupta and produced by Shah Rukh Khan’s Red Chillies Entertainment, it has Emraan playing an expelled spy. Reassured with the buzz around it, Emraan gets into a reflective conversation with Filmfare…
How different was it shooting for a web series (Bard Of Blood) as compared to shooting a film?
We shot for seven episodes. Each episode is 45-minute long. That is double the time you take to shoot a film. The rules are the same. But the work load is more. You dwell in your character for long and can bring more nuances into play.
What was the toughest part of playing a spy?
I guess it was understanding the psychological aspects of the character. What a spy goes through, the fear he experiences, his state of mind in an enemy state. Physical fitness is essential too. The body language had to be right. It was challenging to shoot in Ladakh at a height of 13,000 feet. You have to add dimensions to your portrayal from what’s written on paper. I tend to improvise on the set. We wanted to reach a global audience. So we kept it subtle and yet engaging at the same time.
Denne historien er fra DECEMBER 2019 COVER PAGE -utgaven av GLOBAL MOVIE MAGAZINE.
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Denne historien er fra DECEMBER 2019 COVER PAGE -utgaven av GLOBAL MOVIE MAGAZINE.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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'I Don't Think I've Made It'
'It's taken me very long to get my foot into the door. But the kind of work or central roles that I want are still few.'
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'I WANTED TO BEAT PEOPLE UP...'
'Suddenly the audience pool feels bigger, like everyone is watching everything now.' 'It's no longer limited in terms of boundaries, like a state or a language.' 'Whether it's a series, a movie or even a Korean film, the audience has access to all of it.' 'Slowly, the boundaries are blurring, so that's great for actors.'
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'You have to keep working hard.' 'The universe sees that in you and the higher power puts those opportunities in your way.'
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'I AM GETTING 1,000 CALLS EVERY DAY'
I am 7 feet and 7 inches tall.'
'We've Already Outlined What To Do In Our Next Films'
\"You can expect bohut kuch. Our dreams are big about the larger plan.'
'I think because India is a bigger country and Bollywood is such a well-oiled machine, the star thing has become so much bigger than the actor thing.'
Film-maker Asim Abbasi has been on the forefront of the Pakistani industry since the success of his 2018 film, Cake. In 2019, Pakistan sent Cake as its official entry for the Best International Film Oscar. Two years later, Abbasi was back with his explosive feminist series Churails, backed by India's Zindagi channel and Producer Shailja Kejriwal.
'I Want TO DO A K-Drama'
'I want to be in Korea doing a love story, full of romance.'
"Mom Was Very Scared Of..."
'When my mom saw my performance in Dhoka, she loved it.' 'She said, \"I don't know why I stopped you for so many years. Ab jaa beta, jee le apni zindagi\".\"
