People often ask me why I only paint in shades of pastels even though most of my concepts feel dark and heavy, and where I get my pastel shades from. The answers lie in the fact that ever since I was little, I loved Japanese animation and how colourful the characters would be. Even now, I can’t help but enjoy the protagonist’s brightly coloured hair, going against the grain of all the other characters and I think that’s one of the many areas that influences my colour usage within art.
Over the years I’ve played with the juxtaposition of concept and colour, finding that masking my creations in softer hues helps lift the mood while still retaining the message of the piece. I recently stumbled across design gouache back in 2018. Before then I’d been using watercolours, but encountered many challenges when it came to the desaturation of colours when trying to paint in softer shades.
For those who aren’t familiar, design gouache is essentially opaque watercolour. These aren’t transparent like watercolours hence the word ‘opaque,’ but they reactivate when water is added and can blend in the same fashion as watercolours. They work differently than their gouache counterpart (acryla gouache). Acryla gouache can’t be reactivated when water is applied and is used in the same way as acrylic paint. Design gouache enables me to use similar painting techniques as watercolour that I’m most comfortable with, but still achieve lighter and brighter colours. If you’re looking into gouache, make sure you know the difference between the two types because it does affect how you can paint with them!
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Denne historien er fra April 2020-utgaven av ImagineFX.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Jan Wessbecher
Dominic Carter talks to the visual artist about creating his own comic and why sketchbooks are great for creative experiments
Kyounghwan Kim
The Korean character concept artist speaks to Dominic Carter about staying open to ideas and the value of drawing regularly
Slawek Fedorczuk
Dominic Carter talks to the concept artist about what keeps him motivated and the advantages of using physical sketchbooks.
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
Learn how JULIÁN DE LA MOTA creates a composition from his imagination with a focus on crafting figures, volumetric modelling, and light and shadow
First Impressions
The artist talks about his journey into the mythological world