Quintessentially MAINE

A late Shingle Style house designed by John Calvin Stevens is sensitively brought back by owners who use patterns by William Morris in its casual, summer-house rooms.

Lacing in New Boards

Plank and strip flooring with isolated areas of damage can be saved with careful patching.

The Blues

Favorites, from pale azure to deep cobalt.

At the Windows

Shutters & screens: timeless essentials.

RESTORING REST HARROW IN ARDEN

Refurbishing an Arts & Crafts cottage designed by William Lightfoot Price, noted architect and founder of utopian communities.

Glass Room Screens

Old factory windows are repurposed as room dividers, adding dimension while letting light shine through.

a place for PROMISES

DENNIS AND KAYLA WHITE of Lynchburg, Tennessee, had long wanted to start their own business. “I’m a credit analyst, so I work with numbers all day,” Kayla says. “But that is so not me! I think of myself as a creative person, and I love design. When this house came up at auction in October of 2018, we thought it would be a chance for us to launch a venture of our own, and for me to do the work I love.” The house is a two-storey, 3800-square-foot I-house with Greek Revival influences. It was built in 1858 for Townsend Port Green, a lumber dealer and wealthy landowner. In this handsome manse, he and his wife, Mary Ann Landiss, raised 14 children. The family fortune declined after the Civil War; in the early 1880s, Green sold the house to local whiskey merchant Daniel S. Evans.

A BUNGALOW of seven gables

A 1915 Arts & Crafts house on Bainbridge Island, never substantially altered since it was built, is restored with regard for its history, architectural scale, and original style.

Wood Working

Five handy, high-quality devices make carpentry jobs go smoothly.

Glasgow School in the Bathroom

A tutorial in bracing color and geometric, stylized forms.

STUFF MY M-I-L SCREWED UP

My mother-in-law is an active 83-year-old who still lives in her own home of many years. When we last visited, we were horrified to discover that she has hung a collection of disused and out-of season clothing on Romex electrical cable, which runs through the joists under the basement ceiling. Now we’re worried about other safety issues down there, too. —Anthony (and Julia) Wisniewski

MATCHING INTERIOR MILLWORK

If one lacks professional expertise, installing crown moulding, replacing missing bits of casing or trim around windows, and retrofitting lost baseboards may be an exercise in frustration. Especially when nothing in an old house is square! First learn about the role of trimwork, building up profiles, turning corners with mitered and coped joints, and what tools to use where.

The Tradition of Burnt Wood

An ancient Japanese method for finishing woodwork was adapted by bungalow builders, and it’s back in style.

cutting corners

“Turning the corner” is easily the most challenging part of any moulding installation or repair. It helps if you aced geometry in high school. For all others, learn to use a miter box, preferably one with a clamp. More experienced? Upgrade to a compound miter saw.

ARTS & CRAFTS DO-OVER

With generous living space yet a focus on the outdoors, an undistinguished cottage is rebuilt in the Craftsman tradition.

Arresting Hardware

Salvaged icebox hinges make new cabinets look like vintage equipment.

ASK OLD HOUSE JOURNAL

ASK OLD HOUSE JOURNAL

A House unbungled

A couple embarks on the restoration of a diminutive house, aiming to reverse a mid-century Colonial style remodeling. Replacing one wall with a period colonnade lets light flow front to back.

Vision for an Old House

This hands-on couple have been reading OHJ since its newsletter days. Their forever project is an exemplary unmuddling that took them 22 years. Now the 1880s Queen Anne house is a showpiece in their New Jersey neighborhood.

unmuddling well done : the PROCESS

The biggest project in our 1790 farmhouse would be the kitchen, located in a narrow extension between the original house and the barn (now a garage and bedrooms). The connector, which was there by 1830, probably held a woodshed and summer kitchen. The 1970s owners added a bump-out; another renovation came in the 1990s. By now, the remodeled extension detracted from the integrity of the historic house.

Cottage Style for a Kitchen

Nostalgic details belie the room’s efficiency and storage capacity.

A REMARKABLE COMEBACK FOR A BEAUX ARTS BEAUTY IN ST. LOUIS

Built in 1896, the brick and terra-cotta Beaux Arts mansion needed new systems and repairs. Most remarkable is the addition of period murals and stenciling by the current owner, herself a fi ne artist and accomplished seamstress— who’s worked on the house since its centennial in 1996. Almost everything in the house had survived, or is antique.

Repairing Pebble-Dash Stucco

Maybe your old house has stucco with the rough, pebbly finish that’s often referred to as “pebble-dash.” Or maybe it’s the variation accurately termed “roughcast.” The difference lies in the aggregate (pebbles) and the method of application. True pebble-dash requires that the wall be finish-coated with fresh stucco while pebbles are literally thrown (dashed) onto the wet surface, where, with any luck, they’ll stick. Most pebble-dash finishes use sharper gravel to aid in the binding process. Roughcast, on the other hand, is a bit easier for the homeowner to achieve. Either sharp gravel or pebbles may be used since the aggregate material is added to the wet stucco topcoat during the mixing. Once applied, the thin surface slurry can be removed with a soft sponge, or even by using a misting spray from a hose.

Small Treasures

Stylish, tactile, and colorful Arts & Crafts tile.

Framing a Pocket Door

For rooms where space is at a premium, pocket doors neatly slide in and out of a wall cavity.

Clean Living

It’s never been more important than now.

The Art of Juxtaposition LIVING LIGHTLY IN A HISTORIC TOWNHOUSE

This Victorian-era brownstone is deeply appreciated by its owners for its fine craftsmanship and age. “My clients respect the house for the same reasons I do,” says interior designer Deborah Mariotti, a transplant to Brooklyn from Italy. “We were responsible for its continued preservation, wherever it remained authentic. In areas where it was not original, though, we had no doubt that we would design contemporary space. It wasn’t even a question.”

THE CHINABERRY KITCHEN

Strong color unifies a revival kitchen in a 1910 Seattle house. A NOT-TOO-BIG HOUSE WITH CURB APPEAL WAS WHAT MARISA MUNOZ WAS LOOKING FOR WHEN SHE CAME UPON THIS ONE ON QUEEN ANNE HILL IN SEATTLE. THE 1910 HOUSE, A TRANSITIONAL FUSION OF LATE-VICTORIAN AND CRAFTSMAN ELEMENTS, HAD JUST ABOUT EVERYTHING SHE WANTED: STEEP GABLES AND PRETTY WINDOWS; ORIGINAL MOULDINGS, HARDWOOD FLOORS, AND A ROMANTIC WINDING STAIRCASE. WELL MAINTAINED, THE HOUSE GENERALLY WAS IN MOVE-IN CONDITION . . . EXCEPT FOR THE KITCHEN.

An ARTIST'S HOUSE

ULTIMATE SALVAGING IN PROVINCETOWN

Brrrringing It Back

A phone niche is useful today for keys, tablet—or telephone.