CATEGORIES
Kategorier
See No Evil...
MOVE ALONG, THERE’S NOTHING TO SEE HERE… FORTUNATELY, SFX GETS AN EYEFUL ON SET FOR THE INVISIBLE MAN
WILLIAM GIBSON
The cyberpunk luminary tells us how current affairs shape his fiction
Luna
THIS MONTH’S TELETALK CURIO, FAR FROM BEING A LOAD OF OLD CLUNK, PROVED COMPULSIVIEW FOR MANY DIMINIS EACH SATURTOCK
FLYING FREE
MARGOT ROBBIE BRINGS HARLEY QUINN BACK TO CINEMAS –WITH SOME FRIENDS. SFX ROUNDS UP THE BIRDS OF PREY FOR A CHAT
DEATH WISH
DIRECTOR JEFF WADLOW TALKS TWISTING THE CLASSIC FANTASY ISLAND TV SERIES INTO A FULL-ON HORROR FILM…
LIVES
BBC TWO’S AWARDS-GUZZLING ANTHOLOGY SERIES INSIDE NO. 9 IS FINALLY RETURNING AFTER AN AGONISING TWO-YEAR ABSENCE. ITS CREATORS, STEVE PEMBERTON AND REECE SHEARSMITH, TELL ALL…
BITSIE TULLOCH
A feisty new Lois Lane is getting her own series with Superman soon
Adam Animate
The man who loves danger is back, as a lost episode is recreated
ARKHAM FIRE
COLOUR OUT OF SPACE BRINGS THE MINDSPLINTERING TERROR OF HP LOVECRAFT TO THE SCREEN. “THE ONLY WAY OUT IS DEATH OR MADNESS. OR BOTH!” DIRECTOR RICHARD STANLEY TELLS SFX
A MAN FOR ALL SEASONS
ALEX KURTZMAN HAS DONE A GREAT MANY THINGS SINCE BECOMING EXECUTIVE PRODUCER OF THE STAR TREK UNIVERSE IN 2009 – BUT ACHIEVING THE IMPOSSIBLE IN BRINGING JEAN-LUC PICARD BACK MAY BE HIS BIGGEST MOMENT YET…
ROYCE PIERRESON
The Witcher star on playing the mage Istredd in Netflix’s fantasy epic
LOCKED AND LOADED
SFX HAVE GOT THE KEY – BUT CAN WE FIND THE SECRET TOO? WE TAKE A TRIP TO KEYHOUSE TO GO BEHIND THE SCENES ON LOCKE & KEY…
THE IT FACTOR
HE’S THE MAN BEHIND ONE OF THE BIGGEST HORROR ICONS OF RECENT YEARS – AND B I L L S K A R S G Å R D SAYS YOU MIGHT NOT HAVE SEEN THE LAST OF PENNYWISE THE DANCING CLOWN…
GRUDGE MATCH
THE GRUDGE DIRECTOR AND STAR ON UPDATING THOSE VENGEFUL GHOULS FOR A NEW GENERATION
DENIZENS OF THE DEEP
RELAX, IT’S NOT ANOTHER SHARK FILM – BUT IT’S STILL GOT TEETH! AS KRISTEN STEWART MAKES A SPLASH IN UNDERWATER WE TAKE THE PLUNGE WITH DIRECTOR WILLIAM EUBANK
EOIN COLFER
Here be a dragon: the Irish writer on his first “adult” novel
A SONG of FIRE BURNS and ICE WIZARDS
MAKE-UP FX MASTER BARRIE GOWER LOOKS BACK ON GAME of THRONES
What The Dickens?
SOMETIMES THE SNOW COMES DOWN IN JUNE, AS SFX DISCOVERS ON THE SET OF A VERY DIFFERENT VERSION OF A CHRISTMAS CAROL
The Second Coming Of Chris
AS DOCTOR WHO RETURNS, WE SPEAK TO SHOWRUNNER CHRIS CHIBNALL AND HIS CAST, AND DO OUR BEST TO GET BLOOD OUT OF A STONE…
Jane Rogers
Back to life: the novelist talks about recovering from serious illness
What A Bray Day!
FIRST THEY UPDATED SHERLOCK HOLMES. NOW THEY’RE GIVING DRACULA A TRANSFUSION OF NEW BLOOD. STEVEN MOFFAT AND MARK GATISS TELL US HOW, AS WE VISIT THE BRAY STUDIOS SET.
Galaxy Quest
AS GALAXY QUEST TURNS 20, DIRECTOR DEAN PARISOT AND STAR ENRICO COLANTONI REFLECT ON THE ENDURING LEGACY OF THIS META SCI-FI SEND-UP
Taking The Field
MACKENZIE CROOK’S NEW VERSION OF WORZEL GUMMIDGE IS AS MUCH A SPIRITUAL SEQUEL TO DETECTORISTS AS A REMAKE OF THE ’70S SERIES
Force Quit
THE SAGA REACHES ITS SHATTERING CONCLUSION IN STAR WARS: THE RISE OF SKYWALKER. “WE WERE ALL DEEPLY MOVED TO TELL THIS PARTICULAR STORY,” JJ ABRAMS TELLS SFX.
Jupiter Ascending
THE JUPITER 2 IS RETURNING TO OUR SCREENS AS LOST IN SPACE ENTERS ITS SECOND SEASON. SFX REPORTS BACK FROM THE OUTER REACHES OF THE GALAXY…
Lamonica Garrett
The Monitor leads the charge for Crisis On Infinite Earths
Expanding Your Horizons
THERE’S A WHOLE NEW UNIVERSE TO EXPLORE AS THE EXPANSE FINDS A NEW HOME. SFX VISITED THE SET OF SEASON FOUR TO FIND OUT MORE...
Watchmaker
THIRTY YEARS AFTER THE SEMINAL GRAPHIC NOVEL WATCHMEN CHANGED THE MEDIUM, SHOWRUNNER AND EXECUTIVE PRODUCER DAMON LINDELOF HOPES TO HONOUR THE WORK THAT INSPIRED HIM
The Witcher: Monsters And Men
FOLLOWING ON FROM THE HUGELY POPULAR BOOKS AND VIDEOGAMES, THE WITCHER IS FINALLY BEING BROUGHT TO TV. SFX VISITS THE SET TO FIND OUT IF IT’LL BECOME THIS YEAR’S MUST-SEE FANTASY SHOW
The British Invasion
HG WELLS’S ALIEN INVASION CLASSIC THE WAR OF THE WORLDS IS COMING TO OUR SCREENS AGAIN, AND THIS TIME IT HASN’T BEEN TRANSPLANTED TO THE MODERN DAY USA. WE VISITED THE SET