Here’s a fun technique that leaves the viewer in no doubt of where to look in your picture. It’s called selective colouring because you’re editing the shot to remove colour in specific areas of your image, in our shot we only wanted the model and her vibrant dress to stand out so left her full of colour.
You’ll discover how to make full use of Layers, one of the most useful features Photoshop has to offer, allowing you to stack different images or adjustments separately. If you’re new to Photoshop or have never experimented with layers this is a really easy technique to get to grips with that will show you how they work – you can do it in either Photoshop or Elements.
Along the way you’ll learn how to use Layer Masks which is where you can hide part of a layer. In the case here we’ll use a Hue/ Saturation layer to remove all of the colour from the image, then paint onto the Layer Mask to hide the desaturating effect precisely over the model. Using layers is a completely non-destructive way of working as it doesn’t effect the original image – you can reverse the effect on any of your layers and go revert to the original.
Denne historien er fra December 2019-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Denne historien er fra December 2019-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!