During that time, it was the mania of custom painting motorcycles, with the shop being slammed with custom and stock painting motorcycles. The internet was still new back then, so most of our fame and business flourished from word of mouth, advertising, and promotions at car and bike shows showcasing our motorcycle paint jobs. The motorcycle era in the 90s was like the t-shirt era in the 80s. We employed seven guys painting who in our shop painted five to seven thousand parts yearly. The thought of my artwork in a gallery was entirely outside of my plans at that time.
I also worked closely with Iwata, PPG, House of Kolor, and ALSA paint Corp. at the time, and, of course, SEMA was always a big deal, so I worked at and promoted products for the booths at SEMA for those companies.
One day I dropped off one of my paintings at a commercial scanning shop, and a gallery owner happened to see it. The painting was for Iwata, destined for a catalog cover. It was a tiki hot rod done on a metal panel. Back in those days, hardly anyone was doing that kind of artwork. Therefore, when a gallery owner saw it, he asked the employees who did this, which led to the owner contacting me about hanging some of my work in his gallery. The problem was that I didn’t have anything; I just did that one painting for Iwata. At that time, we were so swamped painting motorcycles that the gallery thing could not have sounded less attractive. You hang it in their gallery, wait for them to sell it, and then wait for them to pay you. I had bikes and helmets stacked up in the shop waiting to be painted, and I got paid when the job was completed. So, why go the gallery route was my thought. Subsequently, I stalled it off until my wife encouraged me to hang some art in the gallery.
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Denne historien er fra Issue 22-utgaven av Airbrush The Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
ARTIST BUTCH HARTMAN
I took all sorts of art classes in high school, and after graduating, I went to a community college for graphic design and digital imaging.
MY JOURNEY TO THE FINE ART WORLD DENNIS MATHEWSON
In the 1990s, my custom paint shop, Cosmic Airbrush, worked with many fine artists in Hawaii. In addition, we serviced many well-known fine artists involving clear coat applications and repairs. As a result, I got to know many artists and folks associated with the galleries.
Mid Journey Al And Art By Susan Corbell
What is art? Frankly, that’s a question that I think many people have asked for a long time.
HARK SPACE SHIP
For this project, I will be using the following equipment and materials: IWATA Eclipse HP-CS Airbrush.
MARTIN KAPOSVARY
Martin lives in Ostrava, Czech Republic, where he owns a tattoo and art studio.
KEVIN BURDICK
It takes a lot of patience, talent, and dedication to make your way to the top of your profession and as hard to keep that position.
FREDDY SICOLI KILLER KREATIONS
Our Interview with Freddy Sicoli
Interview - Artist - Ellena Olson
Hello, my name is Ellena Olson, I am from Odesa Ukraine, and I want to tell you about my path in airbrushing, why I do this, and I love this business.
Step by Step - Derek Banegas
Bio: Derek Banegas, owner of 9 to 5 Airbrush. I was raised in Hanford, CA. Derek got into art very young, building and painting models and airbrushing shirts for family members.
ARTIST PROFILE - Tommy Hamm
Like many others, I grew up interested in art in one form or another. I was evolving over the years through different mediums until finally settling into the airbrush.
