We hear Dizzy Gillespie’s swift trumpet runs. We also hear teenager Duke Custis (Rony Clanton) singing the praises of owning a gun: ‘You ge yourself a piece, everything opens up for you.’ He wants to get a gun to become the feared leader of the Royal Pythons gang. The child’s ball rolls down the street. Dizzy plays fast and faster. Duke picks up the ball. He tosses it back and the kid keeps running. Duke looks up at a street sign he has seen, sees and will always see: ‘West 120th Street’.
It’s 1970. In a London flat full of artists, sitting between Jacques Rivette and Yoko Ono, American filmmaker Shirley Clarke is being interviewed for French television. She’s the white director of the aforementioned film, The Cool World (1963). Clarke says she is afraid of being seen as superficial. She does not want to deal with ‘broad clichés’ in her work. ‘In order to avoid this, I tend to look obliquely.’
Denne historien er fra Issue 243 - May 2024-utgaven av Frieze.
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Denne historien er fra Issue 243 - May 2024-utgaven av Frieze.
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I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'
Conversation: Ahead of a solo show at London’s Cubitt Gallery, Marlene Smith speaks to Lubaina Himid about her time in the BLK Art Group, friendship and collaboration
Tell It Slant
Built Environment: Giovanna Silva on photographing history through unexpected architectural interventions
Dean Sameshima
What does it mean to be alone? In Dean Sameshima’s recent body of work – 25 monochrome photographs of queer men in Berlin porn theatres with sumptuous black negative spaces and blinding white cinema screens – ‘alone’ is a complicated term.
Nicole Wermers
Nicole Wermers’s Reclining Female #6 (2024) looks out over Glasgow.
Greater Toronto Art 2024
Museum of Contemporary Art, Toronto, Canada
Echoes of the Brother Countries
In recent years, the former German Democratic Republic (DDR) has been the subject of a reappraisal that, while not seeking to redeem the stiflingly authoritarian state, has attempted to present a more nuanced overview of its social and cultural realities.
Pierre Huyghe
A pale tetra fish swims around a vast obsidian tank, while another bobs on its side at the top of the water, perhaps ailing from debilitating swim bladder disease (Circadian Dilemma [El Día del Ojo], 2017).
Inward Yearnings
Essay: Rianna Jade Parker retraces the history of the Jamaican intuitives, a group of self-taught artists who ushered in a national form of artmaking mythologizing African traditions through religious divination and esteem-raising cultural work
The Promise of the Past
Built Environment: On the occasion of the ‘Tropical Modernism’ exhibition at the Victoria and Albert Museum, Derin Fadina examines the architectural movement’s exclusionary narratives
Where Is Everyone?
Built Environment: Minoru Nomata’s paintings ask why we obsess over unpeopled architecture