The Common Guild, Glasgow, UK
The sculpture’s upper portion, a nude female, rests on one elbow as she admires the view from her vantage point atop a wooden board balanced firmly on the work’s lower half: an abundantly stocked housekeeping trolley. The Capella Building, where she sits, is a plate-glass office development in the city’s business district. The large, seventh-floor gallery space had remained unoccupied from the building’s completion in 2008 until it was taken over temporarily last year by The Common Guild. Despite her corporate surroundings, however, Wermers’s figure is most definitely not at work.
Denne historien er fra Issue 243 - June - August 2024-utgaven av Frieze.
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Denne historien er fra Issue 243 - June - August 2024-utgaven av Frieze.
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I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'
Conversation: Ahead of a solo show at London’s Cubitt Gallery, Marlene Smith speaks to Lubaina Himid about her time in the BLK Art Group, friendship and collaboration
Tell It Slant
Built Environment: Giovanna Silva on photographing history through unexpected architectural interventions
Dean Sameshima
What does it mean to be alone? In Dean Sameshima’s recent body of work – 25 monochrome photographs of queer men in Berlin porn theatres with sumptuous black negative spaces and blinding white cinema screens – ‘alone’ is a complicated term.
Nicole Wermers
Nicole Wermers’s Reclining Female #6 (2024) looks out over Glasgow.
Greater Toronto Art 2024
Museum of Contemporary Art, Toronto, Canada
Echoes of the Brother Countries
In recent years, the former German Democratic Republic (DDR) has been the subject of a reappraisal that, while not seeking to redeem the stiflingly authoritarian state, has attempted to present a more nuanced overview of its social and cultural realities.
Pierre Huyghe
A pale tetra fish swims around a vast obsidian tank, while another bobs on its side at the top of the water, perhaps ailing from debilitating swim bladder disease (Circadian Dilemma [El Día del Ojo], 2017).
Inward Yearnings
Essay: Rianna Jade Parker retraces the history of the Jamaican intuitives, a group of self-taught artists who ushered in a national form of artmaking mythologizing African traditions through religious divination and esteem-raising cultural work
The Promise of the Past
Built Environment: On the occasion of the ‘Tropical Modernism’ exhibition at the Victoria and Albert Museum, Derin Fadina examines the architectural movement’s exclusionary narratives
Where Is Everyone?
Built Environment: Minoru Nomata’s paintings ask why we obsess over unpeopled architecture
