THE MOMENT RACHEL CARGLE OPENS her Brooklyn apartment door, I see the signs of relaxed living. There is the time to greet me slowly on a Monday morning. There’s the letter board displaying not an overcrowded schedule but the affirming words “This Too Is the Living.” There is the sunshine streaming in from a balcony where salad greens hang from a pocket plant wall. And there’s the soft, brandy-colored leather couch where we sit and talk over steaming cups of dark-roast coffee, served Jamaican style with thick condensed milk. Jamaica ranks among her happiest places.
Cargle, 34, is a Black woman leading a modern, multihyphenate life, improbably filled with “an abundance of ease”—another of her favorite phrases. Her career as an influencer, speaker, and writer began about six years ago with the Insta gram account @rachel.cargle; her posts on grief, self-care, and liberation have earned her 1.6 million followers with over 1 million more following side accounts like those for her businesses: a bookstore in Akron, Ohio; an online self-paced learning platform; and a foundation bringing mental-health support to Black women and girls.
Cargle built her brand on her commitment to racial justice, but what makes her approach— and her life—particularly remarkable is her insistence that joy and pleasure are as essential as equity and justice in the making of a better world. “Racism causes our bodies to be weathered,” she says. “The repair of that requires being able to sit squarely in your values: you can find more peace when you are spending your time and energy doing the things you want to do, no matter how extraneous they may seem to anyone else.”
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Denne historien er fra May 22 - 29, 2023 (Double Issue)-utgaven av Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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