TO CREATE IS HUMAN. FOR THE PAST 300,000 YEARS we’ve been unique in our ability to make art, cuisine, manifestos, societies: to envision and craft something new where there was nothing before.
Now we have company. While you’re reading this sentence, artificial intelligence (AI) programs are painting cosmic portraits, responding to emails, preparing tax returns, and recording metal songs. They’re writing pitch decks, debugging code, sketching architectural blueprints, and providing health advice.
Artificial intelligence has already had a pervasive impact on our lives. AIs are used to price medicine and houses, assemble cars, determine what ads we see on social media. But generative AI, a category of system that can be prompted to create wholly novel content, is much newer.
This shift marks the most important technological breakthrough since social media. Generative AI tools have been adopted ravenously in recent months by a curious, astounded public, thanks to programs like ChatGPT, which responds coherently (but not always accurately) to virtually any query, and Dall-E, which allows you to conjure any image you dream up. In January, ChatGPT reached 100 million monthly users, a faster rate of adoption than Instagram or TikTok. Hundreds of similarly astonishing generative AIs are clamoring for adoption, from Midjourney to Stable Diffusion to GitHub’s Copilot, which allows you to turn simple instructions into computer code.
Denne historien er fra February 07 - March 06, 2023 (Double Issue)-utgaven av Time.
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Denne historien er fra February 07 - March 06, 2023 (Double Issue)-utgaven av Time.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
TIME 100 NEXT The World's Rising Stars - Innovators
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TIME 100 NEXT The World's Rising Stars - Phenoms
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TIME 100 NEXT The World's Rising Stars - Artists
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THE NEW APPRENTICE
J.D. Vance's juggling act
Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
The hunt for life on a moon of Jupiter begins
NEARLY HALF A BILLION MILES FROM EARTH, A WORLD may be stirring.
