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IN THE SPOTLIGHT

Digital Photographer

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Issue 273

Kim Bunermann meets Vince Preston to discuss on-location photo shoots and how to build confidence in your career

IN THE SPOTLIGHT

Getting the camera settings right and clicking the shutter might be the easy parts of the photographer's job, but to be able to convey genuine emotion in a still image takes real skill. As the American photographer David Alan Harvey once said, "What we need is interpretation and inspiration. We don't need to know what it looks like, but what it might mean and what it might feel like. We need images that speak to a deeper part of our humanity than the thirst for details."

For some photographic genres, capturing more than just what the subject looks like is essential. This is especially true for photographers who work with clients to promote businesses that represent a particular lifestyle or feeling. There is no better advertisement than to convey the atmosphere the customer experiences and that often means shooting on location, which brings a whole new set of challenges for the professional photographer.

Leaving the comfort zone of a photo studio for an on-location shoot means dealing with unpredictable lighting, limited perspectives and angles, and the extra responsibility of handling clients and their particular demands. The choice of location is also important, as it is crucial to select somewhere that reflects the service or product you are shooting.

That's exactly what portrait and event photographer Vince Preston does. Aiming to portray his clients and their services in the best possible light, Vince doesn't just capture faces but also tells a story and builds a visual connection with the viewer.

Vince Preston

FLERE HISTORIER FRA Digital Photographer

Digital Photographer

Digital Photographer

THE LIFE OF AN INFLUENCER

Instagram star Mike Will demystifies what it means to be an influencer and how it can become a sustainable career for a photographer

time to read

5 mins

Issue 288

Digital Photographer

Digital Photographer

Sony AI ||

Gareth Bevan wonders whether new AF tech is a sufficient upgrade

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4 mins

Issue 288

Digital Photographer

Digital Photographer

Photo CV

We profile an expert photographer's career journey for insight on becoming established in the industry

time to read

2 mins

Issue 288

Digital Photographer

Digital Photographer

BENDING LIGHT

Eric Meola discusses his love affair with the power of colour across his illustrious, decades-long career in photography

time to read

5 mins

Issue 288

Digital Photographer

Digital Photographer

STORY BEHIND THE STILL

\"I'm drawn to conservation photography because it combines the art of nature photography with a problem-solving approach. By capturing the beauty of the natural world, I aim to highlight pressing environmental issues and inspire action to protect our planet.

time to read

1 min

Issue 288

Digital Photographer

Digital Photographer

GEAR OF THE YEAR

Your guide to the best, most exciting and most innovative photographic kit of 2024

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13 mins

Issue 288

Digital Photographer

Digital Photographer

FRAMING FACES

Master this genre with expert advice on how to set the spotlight on your subject through basic and creative photographic techniques

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12 mins

Issue 288

Digital Photographer

Digital Photographer

ON1 Photo RAW 2025

Does headline-grabbing AI tech make this a worthy purchase? Rod Lawton finds out

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3 mins

Issue 288

Digital Photographer

Digital Photographer

SAMYANG LAUNCHES ITS FIRST CANON RF-S LENS - AND A NEW PRIMA SERIES

In a landmark occasion for Samyang, the South Korean company presents its new Prima range - and first autofocus lens for Canon RF

time to read

1 mins

Issue 288

Digital Photographer

Digital Photographer

10 TECHNIQUES FOR BETTER LANDSCARES

Expand your skills to take your landscape photos to the next level

time to read

4 mins

Issue 288

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