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Free Bird
The alla prima technique lends Iryna Khort a sense of unbridled expression when capturing her wildlife subjects
Master Showcase
This painting is of my friend and fellow artist, Alla Bartoshchuk.
Painting With Passion
In every issue of International Artist we will feature a Painting Workshop from one of New Zealand's best artists.
JAMIE CORETH
Perception and Realization
Expressive Forms
Sculptor and SAS instructor Rod Zullo discusses his inspirations and artistic process
Harley Brown's fascinating things no one else will tell you - LIVING THE DREAM
I don't copy what I see, I do what I see.
Finding the Hidden Beauty.
Whenever I get a chance to work with a live model, I ask their permission to take photographs even when they are not posing.
Shared Joy
Claudia Hartley chats with Scottsdale Artists' School about her roots as an artist and instructor
Agile & Precise
Sandra Bartels moves swiftly between pastels and pastel pencils, focusing separately on each area of her subject
Social Realism
Warren Chang breaks down his recent paintings capturing elements of life in California during the past two years
Tactile Response
Anastasia Trusova utilizes gels, palette knives and scrapers to create multiple textures in her paintings
Painting an Intimate Self Portrait
Like most self-portraits, this painting is an personal paintings often arise from rather mundane circumstances.
The Drama of Nature
From plein air studies to final studio paintings, Kim Casebeer distills the intensity and vibrance of the landscape
FIVE PROBLEMS WITH GOUACHE (AND HOW TO SOLVE THEM)
James Gurney tackles challenges specific to the medium of gouache
Not an Easy Task
My teacher, Everett Raymond Kinstler, Loften said that when he looked at a painting, he was looking for three things: feeling, imagination, and the ability to communicate those first two.
Louis Carr — Intimate Spaces and Youthful Portraits
Louis Carr is an artist based in Raleigh, North Carolina, who is well-known for his intimate and delicately rendered portrait and landscape paintings.
Young at Art
Harley Brown's fascinating things no one else will tell you
Painting Golden Valley
In every issue of International Artist we will feature a Painting Workshop from one of New Zealand's best artists.
Gentle scenes
Soft pastel is a special medium for me. It gives me freedom, control and the possibility to express myself on paper in a variety of ways. I use different types of paper for different effects.
Ethereal quality
I use my work to explore my relationship with the landscape and the feelings of peaceful solitude and contemplative awe. I carry these emotions when I am surrounded by beautiful scenery. It's what I seek to express in my paintings. Watercolor lends itself perfectly to this task due to its ethereal and delicate nature.
HOW TO MAKE GRADIENTS
James Gurney demonstrates how to get your colors to change gradually throughout your picture
PLEIN AIR PAINTING AND ARTISTIC GROWTH
Plein air artist Michael King explores elements unique painting in the field in this three-part series.
The Illusionist
Classically-trained artist Julia Albo uses the power of observation to create three-dimensionality on a flat surface
The Power of Iteration
The Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting
Tips and Tricks
John Lovett shares a few of his studio tips, from brush care to ideal ways to store watercolor paper
Annie Murphy-Robinson
A Discovery of Self
A Light in the Dark
Using a black underpainting, Jed Dorsey shares the advantages and joys of working from dark to light
Familiar things
MASTER PAINTERS OF THE WORLD
Creating Emphasis
Working from dark to light colors, Pamela Hamilton’s pastel paintings feature the smallest and brightest marks at the focal point
Expression and flow
MASTER PAINTERS OF THE WORLDS