EARLY DAYS
Frank C. McCarthy was born in New York on March 30, 1924. During his first four years in Mount Vernon, New York, he learned to ice skate and swim, and even crafted and painted lead soldiers. A Wild West show featuring real Indians, cowboys, and stagecoaches captivated him. In 1929, his family moved to Scarsdale, New York, which was still a small town in those days.
Despite the challenging economic times, there was enough construction happening for McCarthy and his friends to find scrap lumber to build tree houses. As these flimsy constructions were frequently discovered by the property owners, the tree houses were regularly torn down… just to be rebuilt over and over again. McCarthy decorated the tree house walls with drawings he copied from his favorite comic strips, such as “Flash Gordon” and “Buck Rogers.”
A progressive grammar school allowed him to pursue his passion for drawing and painting from an early age. His dinosaur drawings on the floor of his third grade classroom became so large and numerous that they pushed his teacher and classmates into a corner of the room. McCarthy also found early inspiration in Scribner’s classics like Robin Hood and Treasure Island, illustrated by N. C. Wyeth.
Living near a polo club sparked his interest in horses. He photographed them from various angles and began to develop a knowledge of horses in action that would later become a striking feature in his work.
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Bu hikaye Illustration dergisinin Illustration No. 83 sayısından alınmıştır.
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THE ART OF PAUL BRANSOM
Paul Bransom (1885-1979) was widely known as the Dean of American Animal Artists. His work appeared on the covers of magazines like The Saturday Evening Post and served as illustrations of short stories in periodicals and in books. He provided the illustrations for some 45 books, most notably the 1912 edition of Jack London’s Call of the Wild and the 1913 edition of Kenneth Grahame’s The Wind in the Willows.
THE ART OF FRANK MCCARTHY
Witnessing a Wild West show as a young boy was a crucial early influence that led Frank McCarthy to become a distinguished painter of Western historical themes. The excitement and emotion he felt that day stayed with him, and can be seen in the vivid action, color, and splendor that emanate from his paintings.
THE ART OF WARD BRACKETT
Ward Brackett (April 2, 1914–December 14, 2006) was a gifted American illustrator, known for his work in paperback books and periodicals such as Reader’s Digest and Cosmopolitan.
THE ART OF N.C. WYETH
For over 25 years, N.C. Wyeth was regarded as the foremost illustrator of books and magazines in the United States. His artwork for iconic tales of romance and adventure has become synonymous with the stories themselves, familiar to multiple generations of readers. Some of the best-known characters in literature have become nearly indistinguishable from the images he produced.
THE ART OF CHARLES LASALLE
\"We have some artists in the family.\" I didn't know it at the time, but my future father-in-law Aiden E. LaSalle was a master of understatement.
THE ART OF PRUETT CARTER
Pruett Carter was once recognized as one of America's top illustrators, during a time when illustrations were viewed primarily as easel paintings
THE ART OF RAYMOND JOHNSON
Raymond Sven (Ray) Johnson was a commercial illustrator who created iconic paperback book covers spanning all genres of fiction for Avon, Popular Library, Monarch and other publishers from the late 1940s through the early 1960s.
"Blow some my way"
THE DELINEATION OF DESIRE IN 1920s COMMERCIAL ILLUSTRATION
THE ART OF FRITZ WILLIS
Fritz Willis was born in Oklahoma in 1907, and raised in Boston.
THE ART OF WILLIAM OBERHARDT
Illustrator William Oberhardt (1882-1958) was born in Guttenberg, New Jersey, 1882.
