As soon as he was old enough to venture alone to the big town across the Hudson, he became a pupil in the National Academy of Design. As he had begun his studies so early and had been an assiduous worker, he was very young when his studies at the academy were completed. Following this education, he went to Munich for three years for further study at the Munich Academy of Fine Arts under Carl V. Marr and Ludwig V. Herterich.
Upon his return, he was more than ready to join the ranks with other American illustrators, and he did well from the start, as he was a fantastic draftsman. Oberhardt was probably best known for his remarkably sensitive and facile portrait drawings, generally made with charcoal. "Obie" never worked from photographs, but worked directly from the live model, which was surely an important key to achieving his incisive likenesses.
His famous subjects ranged from Presidents Taft, Harding, and Hoover, to Thomas Edison, Sergei Rachmaninoff, Luther Burbank, Ezio Pinza, Cardinal Spellman, Bernard Baruch, and Walter Lippmann. Notably, his work was featured on Time magazine's very first cover, published on March 3, 1923. As the artist recalled, "Most of the men I've portrayed were ones I would have paid to do. I've had a great deal of pleasure and honor meeting and drawing the great men of my time."
In 1919, the government commissioned Oberhardt to make portraits of the 25 members of the Division of Pictorial Publicity. Those portraits are now part of the Archives in Washington, D.C. During World War II, Oberhardt contributed to the war effort by drawing hundreds of portrait sketches of soldiers, as well as the wounded men convalescing in hospital.
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Bu hikaye Illustration dergisinin Illustration No. 76 sayısından alınmıştır.
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THE ART OF PAUL BRANSOM
Paul Bransom (1885-1979) was widely known as the Dean of American Animal Artists. His work appeared on the covers of magazines like The Saturday Evening Post and served as illustrations of short stories in periodicals and in books. He provided the illustrations for some 45 books, most notably the 1912 edition of Jack London’s Call of the Wild and the 1913 edition of Kenneth Grahame’s The Wind in the Willows.
THE ART OF FRANK MCCARTHY
Witnessing a Wild West show as a young boy was a crucial early influence that led Frank McCarthy to become a distinguished painter of Western historical themes. The excitement and emotion he felt that day stayed with him, and can be seen in the vivid action, color, and splendor that emanate from his paintings.
THE ART OF WARD BRACKETT
Ward Brackett (April 2, 1914–December 14, 2006) was a gifted American illustrator, known for his work in paperback books and periodicals such as Reader’s Digest and Cosmopolitan.
THE ART OF N.C. WYETH
For over 25 years, N.C. Wyeth was regarded as the foremost illustrator of books and magazines in the United States. His artwork for iconic tales of romance and adventure has become synonymous with the stories themselves, familiar to multiple generations of readers. Some of the best-known characters in literature have become nearly indistinguishable from the images he produced.
THE ART OF CHARLES LASALLE
\"We have some artists in the family.\" I didn't know it at the time, but my future father-in-law Aiden E. LaSalle was a master of understatement.
THE ART OF PRUETT CARTER
Pruett Carter was once recognized as one of America's top illustrators, during a time when illustrations were viewed primarily as easel paintings
THE ART OF RAYMOND JOHNSON
Raymond Sven (Ray) Johnson was a commercial illustrator who created iconic paperback book covers spanning all genres of fiction for Avon, Popular Library, Monarch and other publishers from the late 1940s through the early 1960s.
"Blow some my way"
THE DELINEATION OF DESIRE IN 1920s COMMERCIAL ILLUSTRATION
THE ART OF FRITZ WILLIS
Fritz Willis was born in Oklahoma in 1907, and raised in Boston.
THE ART OF WILLIAM OBERHARDT
Illustrator William Oberhardt (1882-1958) was born in Guttenberg, New Jersey, 1882.
