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Regina José Galindo and Iva Lulashi
The female figure predominates in the works of Guatemalan visual and performance artist Regina José Galindo and Albanian artist Iva Lulashi.
Bettina Pousttchi
‘Progressions’, Bettina Pousttchi’s survey at Zurich’s Haus Konstruktiv, is a striking illustration of the idea that urban space is not only the physical environment of a city – from pedestrian and surveillance structures to actual buildings – but also a projection, subject to both time-bound ideologies driving urban policy and to city dwellers’ subjective memories. Spread across three floors, the exhibition highlights the fluidity with which Pousttchi moves between industrial-scale readymades, urban architecture and photography.
Graham Little
There is no formula for beauty, no reliable unit of measure.
Nidhal Chamekh
Taking its title from philosopher Édouard Glissant’s question, ‘What If Carthage Hadn’t Been Destroyed?’ – posed in his book of collected poems Le Sel Noir (The Black Salt, 1957) – Nidhal Chamekh’s latest exhibition, ‘Et si Carthage’, is inspired by the ancient city whose ruins are a ten-minute drive from Selma Feriani’s new gallery space in downtown Tunis.
Green Snake: Women-Centred Ecologies
When I was younger, my mother told me a story about a man who travelled to a faraway lake in China, where he met a beautiful young woman dressed in white and spent the night on her boat.
A Man Entering America With a Camera
Robert Frank at 100: in the last years of his life, it seemed a plausible enough prospect.
Whitney Biennial 2024
With this year’s Whitney Biennial already having been dismissed by many critics (The New Yorker, The New York Times, Vulture) as riskless, I felt hard-pressed to agree.
Hidden Passages
OVER THE PAST FEW DECADES, curatorial discourse has reached a crescendo, to the point where it can sometimes feel as though the contextualization of art is so extensive that it risks overwhelming the very work it is intended to substantiate.
Ghislaine Leung
How to identify Ghislaine Leung amid the lunching crowd at a south London cafe? In this image-greedy world, Leung is that rare creature: a public figure of whose physical person no trace seems to exist online.
Shuvinai Ashoona
Crawling with tentacled creatures, flipper-footed beasts and beaked hybrids, Shuvinai Ashoona’s colourful pencil drawings are playful and fantastical depictions of Inuit life in the Canadian Arctic.
Marcel Dzama
Canoe Lake, in Algonquin Park, Ontario, is where the great Canadian landscape painter Tom Thomson occasionally lived and worked – and where, at the age of 39, he drowned.
'My work is not illustrational: it's associative, intuitive.'
LYNNE TILLMAN Joan, you’ve just come from MoMA.
The Curious Cosmopolitanism of Ali Sultan Issa
How research into historic Afro-Asian solidarities drew a filmmaker into the path of a Zanzibari political revolutionary
Cool Connection
ON A STREET IN HARLEM, New York, in 1963, a Black child runs back and forth.
Faerie Tales
ON A HOT SUMMER’S DAY, in a cramped Manhattan apartment, Leslie Bright totters between the telephone and the dresser, complaining of old age and heartache.
"One day this boy..."
How David Wojnarowicz gave me life
Isabelle Frances McGuire
Through kitbashing and the hacking of readymades, an artist explores what digital visual culture might look like in material form
Midcareerism
What's an artist to do when no longer dewy and not yet long in the tooth? Martin Herbert surveys the options, none of them pretty
Art Encounters Biennial My Rhino is Not a Myth: art science fictions
Various venues, Timişoara 19 May-16 July
Southern Discomfort
A series of upcoming biennials promise to explore the art of the 'Global South'. But what does that mean? And is the term of any practical use?
Fine Young Cannibals
A spate of recent glitzy films have asked us to eat the rich. But what, asks Amber Husain, are we really swallowing?
Mutant Media
Animation and gaming design studios aren’t just for entertainment, claims Jamie Sutcliffe, they’re a geneticist’s lab for producing our spliced bio- cybernetic future
Diego Marcon
\"In general when I work, it's not like I'm looking for something and I find moles, it's more like moles find me, they pop up. I don't know why, I just try to remain open to these kinds of visit\"
Casey Reas
Crypto has crashed and burned, but NFT visual culture is the better for it, and here's why, says the pioneering artist and programmer
No pain, no gain?
What's primary about Matthew Barney's SECONDARY
'What happens when nothing happens'
This season's defining looks draw on ordinary materials presented in extraordinary compositions, an approach that resonates with the writings of Georges Perec, who explored the minute magnificence of everyday life
Different Class
A new exhibition, ‘Pope of Trash’, celebrates the weird and wonderful world of cult filmmaker John Waters
A case of mistaken identity
A painting has been misattributed not once, but twice, and British dealers head for New York
A brush with plants
This month, the botanical artist Emma Tennant celebrates her 80th birthday–and 75 years of gardening and painting. Steven Desmond eagerly anticipates her forthcoming exhibition
Björn Weckström – Elements of Reflection
Björn Weckström's epic sculptures and chunky jewellery shine a light on the human condition